Dramatization of the Outsider

Paper Summary:

This paper analyzes the definition of the outsider as discussed in two plays - "AlterNatives" by Drew Taylor and "Amigo's Blue Guitar" by Joan MacLeod. It explores how and why the various characters in the plays have constructed the outsider, while simultaneously fortifying their own position as outsider. The paper also analyzes the symbolism and language in both plays and discusses how this adds to the theme discussed.

Table of Contents:
Introduction
Dramatization of the Outsider
Outsider Constructing the Outsiders
Consequences of Dramatization by Characters
Symbolism in the Two Plays
Conclusion: The Nature of Experience

From the Paper:

"In both plays, language is the main route to understanding the presumed outsider. At the same time, language is the main avoidance strategy. Elias, for example, serves a practical end for Sander in that Sander "gets to cut out of Spanish and English class and hang out at immigration. Everyone thinks he's some kind of hero" (MacLeod 38). When Martha is speaking quite rapidly to Elias and he requests that she slow down, she does understand but ignores him. Martha even repeatedly mispronounces Elias' name. Elias points out to both Callie and Sander that the most formidable barrier to comprehending his reality is language. "If you want to know my story, then you can learn my language" (MacLeod 42)."

Sample of Sources Used:

• Athabasca University. English 633 Course Guide, Post-Colonial Drama. Athabasca, 2003.
• Brown, Stephen G. "De-composing the Canon: Alter/Native Narratives from the Borderlands". College Literature. Vol. 25, Issue 2, 1998, 30-45.
• MacLeod, Joan. Amigo's Blue Guitar. Vancouver: Talonbooks, 1997.
• Nothof, Anne F. "The Construction and Deconstruction of Border Zones in Fronteras Americanas by Guillermo Verdecchia and Amigo's Blue Guitar by Joan MacLeod". Theatre Research in Canada, Vol. 20, No. 1, 1999, 3-15.
• Nunn, Robert. "Drew Hayden Taylor". Canadian Theatre Encyclopedia. Athabasca University, 2006. http://www.canadiantheatre.com

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