A discussion of figurative language and image as used in literature.
Written in 2007; 2,862 words; 1 sources; APA; $ 85.95
Paper Summary:
The paper is an exploration of three works of literature which demonstrate that figurative language and image are vital elements in all genres of creative writing. The study of Pablo Neruda's critical essay "The Word," compared and contrasted with the Lawrence Ferlinghetti poem "Constantly Risking Absurdity" and Alice Walker's short story "Everyday Use," reveals that the use of figurative language, particularly simile, also enhances imagery. The paper further states that while image is an element of literature quite capable of standing alone, it is virtually impossible to use figurative language without creating an image.
From the Paper:
In "The Word," the simile provides strong, stream-of-consciousness images of what words mean to Neruda. According to Neruda, words have texture - thus they can be touched. Words can be "like fruit," and all five of the human senses can become involved with a simple piece of fruit. Imagine a pear, with its grainy texture (touch), its fresh scent (smell), its crunch (hearing), its mottled greens (sight), and its sweet flavor (taste). Ferlinghetti's "Constantly Risking Absurdity" involves only several of the senses; however, the reader can definitely envision the poet as acrobat, swinging on the high wires, taking a risk (sight). A reader with a finely tuned imagination may also be able to envision a circus, in which most acrobats perform, thereby connecting with other senses (hearing and smell)."
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