A comparison of the early classical symphony styles of Johann Sebastian Bach and Carl Philipp Emanuel Bach.
Written in 2008; 1,810 words; 3 sources; MLA; $ 58.95
Paper Summary:
This paper discusses the origins of the early classical symphony with particular reference to Johann Sebastian Bach's (J.S Bach) "Opus 18 number 4" and his son, Carl Philipp Emanuel Bach's (C.P.E Bach) "Symphony in D". The author first provides a brief background on the classical period of the 17th and 18th century. The paper then studies J.S. Bach's Symphony, "Opus 18, number 4", stating that it is a good example of the basic structure used during this era. The paper also examines C.P.E Bach's "Symphony in D", comparing it to the senior Bach's work.
From the Paper:
"Affected by the Enlightenment, the early classical symphonies were quite diversified in composition. As each symphony was created for performance for public and social occasions, there were many composers and many symphonies created during this time, financed by their bourgeois and aristocratic clientele. Orchestras were developed as a result, to play these many new pieces. Non-symphonic pieces were also being produced on an individual basis: sonatas being a popular composition for an individual musician."
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