An analysis and comparison of Aurora Levins Morales's ?Kitchens,? William Maxell's "What He Was Like", and Anatole Broyard's ?Intoxicated by My Illness.?
Written in 2004; 1,100 words; 0 sources; $ 38.95
Paper Summary:
This paper explains the unique style of these three stories, which are relatively plotless, dealing more with a single coherent idea than with a progression of character and events. Each represents a sort of emotional reverie in which the rhythms of repetition become building blocks of identity, or, in the case of Maxell, portray something of the results of such a reverie. It explains that, in each, this identity is both created in and is the force behind the creation of the written and sung word.
From the Paper:
"If plot is understood as a series of events springing from the very nature of the characters and eventually resolving in some fashion, then one may quickly find that no such thing underscores these three stories. "Kitchens" deals exclusively with the stream-of-consciousness invoked in the narrator as she enters her kitchen and smells the cooking beans, and its subject is more the language and imagery of this particular place than it is any set of distinct happenings. Broyard's story, which is actually just a collection of his journal entries preceding his death, is also relatively plotless, being more of a rumination on the general nature of death. The goal of these pieces is not so much to tell a complete story as it is to suggest a greater cyclical nature. ?What He was Like,? on the other hand, has the beginning of a plot, which could be entirely summed up in a single sentence: a man writes in his diary dark secrets that after his death traumatize his daughter. But these secrets are never disclosed to the audience, and their actual effects and resolution never quite materialize. So even with this penciled-in plotline, one is left feeling somewhat unresolved as to the story itself as the primary living character trails off ?lest in that brief interval he turn into a stranger.? (101)"
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