From the Paper "Ludwig van Beethoven is arguably one of the most original composers who ever lived. His composing career began in the last decade of the 18th century and ended with his death in 1827, and thus spanned from the Classical to the Romantic period. In his youth, he studied under F. Joseph Haydn, one of the greatest Classical composers; in his maturity, he anticipated the Romantic style which was later fully realized in the works of Schubert, Schumann, Berlioz and Chopin, among others. Although Beethoven is rightfully acknowledged as a brilliant innovator, he was not without his influences. The goal of this research is to establish the influence of a particular composer, the Italian pianist and composer Muzio Clementi, on Beethoven's keyboard compositions.
Clementi was Beethoven's contemporary; though he was born in.."
A study in variations and shared existential mysteries involving the self in Milan Kundera's "The Book of Laughter and Forgetting" and Ivo Andric's "The Bridge on the Drina".
Abstract A look at how two Slavic authors, Ivo Andric and Milan Kundera, explore the very personal mystery of self. This essay explores Kundera's "The Book of Laughter and Forgetting" and Andric's "The Bridge on the Drina" comparing similarities of theme as the two authors in their diverse styles show humans seeking self in relationship to the opposite sex. The study offers extensive comparison/ contrast of the two novels utilizing many documented quotes from both.
From the Paper "The novels The Bridge on the Drina, by Ivo Andric and The Book of Laughter and Forgetting, by Milan Kundera are examples of the truth of this statement. Both novelists explore the enigma of self within the context of their own existential probing of self. Each of these writers also places his personal self, as well as the selves of his characters against a panoramic historical background, which just happens to be the stage setting before which he has played out his own personal drama of self."
