Abstract
This paper looks at Victory Square Park, a corner of land bordered in between West Hastings and West Pender Street in Vancouver. It examines how the location was once famous for being Vancouver's provincial courthouse which was torn down between 1911 and 1916 and reopened on West Georgia Street in the building now known as the Art Gallery. It discusses how the area is historic in great part because of its location, how it contains the war memorial the Cenotaph and how it was once the heart of the city's financial and legal activity. The paper also includes photos of the Square.

From the Paper
"However, the Square is famous for much more than the Cenotaph. It was once the heart of the city's financial and legal activity: the Vancouver curb exchange operated across the road on Hastings Street; the Inns of Court structure, a rather rustic looking building next to what was once called Courthouse Square, was the centre for adjutant legal services; the Oddfellows Hall (now called the Army, Navy and Air Force Veterans Hall) was stationed south of the Inns of Court; most of the city's major banks were headquartered around the Square; the city's shopping district was positioned along nearby Hastings Street; to the south of the Square was the Central School (now Vancouver College); the city's main hospital stood nearby; and before the Courthouse's demolition major newspapers such as The Province, Sun and Dominion were set up around the periphery, though they no longer operate in this location today."

Tags: courthouse, Cenotaph

Abstract
This paper examines four plays from around the globe and analyzes their central themes. The paper shows how David Hare's "Absence of War" introduces audiences to the British political system and the total lack of personality in its leaders. In "Indian Ink", by Tom Stoppard, the paper discusses the play's emphasis on the colonial era in India and power relations in the world. The paper looks at the psychological state of the characters in Harold Pinter's "The Caretaker" and the way their attire contributes to this state. Finally, the paper shows how Sean O'Casey, in his play "Shadow of a Gunman", shapes his material the distinction between illusion and reality.

From the Paper
"The play involves an ongoing series of interactions among these three. Davies and Aston conflict almost from the moment they arrive in this room, for they are very unlike and react differently to everything that happens. Mick, on the other hand, serves the role of goad, seeming to come from nowhere and to place demands. In the First Act, Mick is only seen twice, both times in his leather jacket, signaling a certain fascist mentality in his dress. His behavior confirms this as he enters silently, twists Davies's arm, and searches through Davies clothing, all as if he had the right to do so and should never be questioned."

Tags: George, Jones, Whitehall, Cenotaph, Flora, Crewes, Nirad, Das

Abstract
The essay compares the poetic and narrative devices used by the authors to create a typical or atypical piece of the great canon of First World War literature. The pieces are discussed in terms of thematic and poetic contents and their relation to other pieces written about or during WWI.

From the Paper
"Extract A is a poem by Charlotte Mew; 'The Cenotaph' was written in 1919, a year after the war and explores a female perspective on both public and private mourning. In the extract, she describes the monument, the cenotaph, which was built as a lasting reminder of the Great War, some see it as a glorification, perhaps Mew's perspective and others as a reminder of the human cost of war. The chosen form of the poem marks this poem as a more typical piece of war literature in its style as the poem is the style most often associated with War literature perhaps due to the well known poems by Sassoon and Owen (e.g. 'Dulce et decorum est' Owen). "

Tags: soldier, death