Abstract A study of the Chartres Cathedral in France which creates a ideal depiction of the gothic form of architecture and is shown in reference to the same.
Abstract The paper is on the history and design of St. Etienne Cathedral in Bourges, France, which is a good example of gothic church architecture. The constuction of the cathedral is examined and the paper discusses typical French Gothic style.
From the Paper "St. Etienne Cathedral in Bourges, France is a good example of gothic church architecture. This edifice, along with Cathedral Chartres, is the first cathedral of the high-Gothic era and was the starting point for the typical French Gothic style. Construction on the cathedral began in 1195, and the choir was completed in 1214, the nave between 1225-1250, and the west facade sometime in the 1270's. The north tower fell in 1505 and was rebuilt in 1542 ("Cathedral, Bourges No. 1" paras. 1-2). The plan of the cathedral is simple and was derived from the plan for Notre-Dame de Paris. At least, the exterior is so derived, while the interior is quite different from that more famous cathedral. The basic structure involves double-sided aisles, and it is double ambulatory and has no transept. The volume of the nave is the same as the cathedral at Chartres, with a width of 15 meters and a height of 37.."
Abstract This paper examines Raymond Carver's short story "Cathedral" and focuses on the function of the narrator and of the blind man. It analyzes the narrator's realization of his own emotional and intellectual blindness.
From the Paper "Raymond Carver's short story Cathedral is narrated by a man who finds it all but impossible to be in the presence of Robert, a blind friend of his wife's. This unnamed narrator, a man in middle life married to a woman who has ..."
Abstract In this paper, the author compares how the theme of love is represented in two stories, "Cathedral" by Raymond Carver, and "Shiloh" by Bobbie Ann Mason. One story describes how love builds between two spouses while the other shows how love can fall apart. The author cites additional sources to describe the theme in the two works. The paper concludes by stating that both stories show the incredible epiphanies associated with love, and the destructive force of emotional pain.
From the Paper "In his article in "eThoughts.com," Travis Gibbs asks the question, "Is love some absolute, a fact of the universe that can be discovered and copied onto and into human lives? (Gibbs). The two stories, "Cathedral" by Raymond Carver, and "Shiloh" by Bobbie Ann Mason, illustrate that love is constructed in dissimilar ways. Carver constructs love as a positive manifestation of growth and understanding in an unlikely setting, while Mason shows us love destroys itself, as manifested between two people who fit into a normal "construct," that is, being man and wife."
Tags:Cathedral, Raymond, Carver, Shiloh, Bobbie, Ann, Mason, love, literary, themes
Abstract This paper describes the famous stained glass windows of Chartres Cathedral in France. The paper describes the cathedral's gothic style, the set of windows in the west facade, the rose windows that can be found in different parts of the cathedral, and the Blue Virgin Window in the ambulatory area. The paper also describes the guilded windows in the cathedral, noting that, more than with most cathedrals, Chartres Cathedral's windows area often marked to show the donor, and this is true of the so-called guild windows, or windows donated by the trade guilds.
From the Paper "The South Rose is seen with five lancet windows and dates from the 1230s. The Rose Window itself shows the Glorification of Christ, with Christ blessing surrounded by Four Evangelists and angels, then the elders of the Apocalypse, then the arms of donors to the cathedral. The left lancet shows Evangelist Luke over Prophet Jeremiah. The second lancet shows Evangelist Matthew over Prophet Isaiah. The central lancet shows the Virgin and Child."
Abstract This paper looks at the impressive 700 year history of the famous Cathedral of Notre Dame in Paris. It examines the origins of its construction and how architectural tastes have changed over time, influencing different improvements made to the building. It links this history to the novel written by Hugo known as "The Hunchback of Notre Dame" and how through his novel, the Cathedral became famous again. It shows that through this fame, the Cathedral was given a face-lift.
From the Paper "More than seven hundred years old, the Cathedral of Notre Dame de Paris exemplifies Gothic architecture. Those who visit it cannot fail to be awed at the magnificent structure, which bears her history proudly, now restored to her former grandeur. Many millions of people in the last century have never set foot in its soaring halls, yet they feel that they know it, because they have read Victor Hugo's monumental novel, Notre Dame de Paris, or The Hunchback of Notre Dame. The Cathedral inspired Hugo to write his moving book, but the book in turn provided an incentive for the Cathedral to be restored from the ravages of the past. The histories of building and book are intertwined."
Tags: church, construction, building, architecture, gothic, romantic, art
Abstract This paper looks at how the Notre Dame Cathedral includes a number of unique elements in Gothic architecture as well as being characteristic of Gothic cathedral architecture in other ways. It discusses how it contains massive sculptures and huge windows with designs suggesting different theological and iconographic references. It analyzes how these iconographic representations demonstrate shifts in the way human being related to the Church and to God at the time the cathedral was built.
Outline
Introduction
Gothic Art and Notre Dame
Windows
Portals
Conclusion
From the Paper "One of the ornamental types found in Notre Dame is the rayonnant style, or the radiant style, which dominated the second half of the thirteenth century. Among the most prominent examples of this style are the two great rose windows in the north and south transept faHades of Notre Dame. The huge north rose window is the work of the master builder Jean de Chelles, and it is a masterpiece of architectural ingenuity. Nearly the entire mass of wall opens up into stained glass, and this is held in place by an intricate armature of stone tracery that practically has the tensile strength of steel. The Gothic passion for light is seen in a most daring and successful effort to subtract all superfluous material bulk just short of destabilizing the structure and to transform the hard substance into insubstantial, luminous color. This vast and complex structure of stone-set glass has maintained its structural integrity and equilibrium against the disintegrative forces of nature and time for seven hundred years, showing the genius of the builder."
Abstract The writer of this paper identifies the key aspects of Gothic cathedrals with a few examples and comparisons of the cathedrals. The paper explains how Gothic cathedrals are some of the most beautiful and enduring buildings in Europe. It looks at how they have survived for centuries as testaments to the workmen who created them and the architects who designed them. The ornate buildings are as impressive today as when they first grew on the skyline, and they represent a high point in the culture and society of the Middle Ages.
From the Paper "Gothic architecture, perhaps one of the most famous and ornate forms of architecture of any period, began in northern Europe as early as the twelfth century, and spread throughout Europe. It gradually replaced the Romanesque Style of architecture, which had grown in popularity throughout Europe beginning at about the millennium year of 1000. Romanesque buildings offered many of the same intricate details as the Gothic cathedrals, because building practices had evolved, and better tools, such as the stone saw (Calikins 100). Romanesque buildings incorporated intricate arches and vaulting, along with repetitive bay systems, flat and round ribs, but they did have their limitations. One architect historian wrote, "Reliant on the sheer power of mass to abut and restrain the tremendous outward thrust of thick nave barrel vaults, Romanesque architecture could not open up to the light" (Roth 288)."
Tags: middle, ages, architecture, ornate, christianity, church
Abstract One of the most distinguishing aspects of Florence's skyline, the dome of the cathedral (Duomo), Santa Maria del Fiore, is a paragon of Renaissance architecture. The result of years of hard work, which was filled with more that six centuries of often-tragic history, the building was originally designed by Amolfo di Cambio in 1294. This paper examines the Duomo Cathedral, by considering its architectural structure, form, and style, while also giving some reflection to popular trends and beliefs during the cathedral's construction, and the ways in which these changed and shaped its architectural form.
From the Paper " Although the cathedral is basic architectural design was created by Amolfo di Cambio, who was also the designer of the church of Santa Croce and the Palazzo Vecchio, and the internationally famous and symbolic cupola crafted by Renaissance genius Filippo Brunelleschi (1377 - 1446), its final finishing work was not completed until the late 19th century. However, throughout the six hundred period between the cathedral's beginnings and its completion, numerous structural and decorative works took place that have tremendously enriched the history of this incredible monument. "
Abstract This paper looks at how the outdoor labyrinth at the Grace Cathedral mimics the design of the archetypal 13th century labyrinth at the Chartres Cathedral in France. The author points out that the terrazzo in the Grace Cathedral provides a cold, hard and unyielding counterpart to the otherwise rosaceous, curvilinear, forgiving labyrinthine pattern and the open-air setting suggests nature worship, inviting visitors to contemplate spiritual truths outside of the confines of a religious building. The paper concludes that the Grace labyrinth exemplifies the interfaces between nature and art, between decoration and art and between structural and artistic forms.
From the Paper "The space in which the Grace Cathedral labyrinth is contained is expansive yet it is also contained within a definite boundary. On the property of the Church, the labyrinth is nevertheless accessible at all hours of the day. Open hours mirror the open setting and open air. Because the labyrinth is on terrazzo, it feels distinctly man-made. It doesn't feel natural at all; it has no connection with the feeling of running through the woods or hiking. Having to remain in the lines and only go forward is one of the labyrinth's paradoxes: it is curvilinear and seemingly loose but it is also tight and restrictive."
Abstract This paper discusses Saint Peter's Cathedral, situated in the Vatican, Italy. Saint Peter's Cathedral, also known as the Basilica of Saint Peter, stands in what was once the Circus of Nero in Rome, where Saint Peter was crucified in 61 A.D. In around 200 A.D., an altar was constructed at the site and Saint Peter's body was buried beneath it. It examines its architecture and history, the way it was, the way it has changed over time and the way it is today. It looks at how it serves as the home church for the Pope and is a glowing testament to the art and architecture of the Renaissance, one of the most influential periods in world culture.
From the Paper "Saint Peter's contributed to the art world in many ways. Artists were in great demand to paint the many walls and ceilings, and contribute to art works to be placed in the cathedral, so many artists were kept busy in Italy during the time, thereby increasing the awareness and employment in the arts. There are also many mosaics is the church, so a wide variety of artisans were kept busy for decades decorating the massive structure. Art flourished during the Renaissance, and Saint Peter's kept artisans busy, and helped them develop new methods for their crafts, as Michelangelo did when he created the iron beam system to support the massive concrete dome (Editors)."
Abstract This paper discusses how the St. Sebald Church, the Florence Cathedral and the Cathedral of Milan each balances the physical forces required to build looming buildings of stone and glass. It explores how with the desire of architects, builders, and patrons to create works that simultaneously demonstrate their own piety and impeccable taste.
From the Paper "Every Christian church that has ever been built, and this is arguably true of the places of worship of every faith, is an amalgam of the pragmatic and the idealistic of earthly concerns and divine ones. Each church lies in the borderlands defined on one side by ..."
Abstract This paper explains that the Los Angeles University Cathedral is a landmark church that fuses pop culture with Christianity. Located in downtown Los Angeles, the author states that this Protestant Church church draws thousands of people each week to its Sunday services. The paper describes various aspects of the church, including the services it provides, the people who worship there, and the architecture of the cathedral.
Table of Contents:
Services
People Working
People Praying
Dress Code
Parking
Fees
Building
From the Paper "The history of the Los Angeles University Cathedral is among the most interesting of any religious institution in America. According to the Los Angeles University Cathedral Web site, the building was originally owned by United Artists, which constructed it with the assistance of such entertainment-industry stalwarts as Charlie Chaplin, Mary Pickford and Douglas Fairbanks in the 1920s. Dr. Gene Scott, who initially started his church in Glendale, Calif., moved it to the old United Artists building in 1986, spending $2 million to renovate it into a modern religious facility."
Tags: pastor, personal choices, multimedia television, theater-style seating
Abstract This paper describes the Los Angeles Cathedral of Our Lady of the Angels as one of the newest major construction projects of the Catholic Church. The paper relates that the Los Angeles Cathedral of Our Lady of the Angels is what the Church calls a "Mother Church" and that it holds an integral position as the lead church in a very large regional parishionership, with more than 300 parish churches under its jurisdiction, in the archdiocese. The paper then describes the grand architecture, parishioners and management of this particular church.
From the Paper "According to the church's official website it was built to host at least 3,000 parishioners and holds mass in 45 languages, stressing the multiculturalism of the region and city. On a regular basis the church offers mass in English and Spanish on weekdays as well as traditionally on Sundays, several times a day. Monday through Friday the cathedral offers two services, one beginning at 7 am and one at 12.10 pm, both in English. On Sunday there is a 8 am and 10am mass in English and a 12;30 pm mass in Spanish. Additionally there are many special service masses held around this schedule, where national and international event celebrations occur and guest Priests say mass and offer information about international and national concerns of the church as a whole. Additionally, most wedding ceremonies held at the church have a full mass that is usually open to other parishioners, as well as funeral and baptismal services also open to other parishioners. The diversity of the region is displayed in the special services that are offered, in conjunction with regular mass schedules as well as special events. The Cathedral often hosts guests from other countries, to demonstrate conditions of need in other areas of the faithful, in doing so they expose the local parish to the overall diversity and health of the whole of the catholic world and offer its own parishioners the opportunity for global civic support of its members elsewhere. The Cathedral also has many hours of operation that allow visitors and guests to view and tour the cathedral during non-mass hours. In a sense the Cathedral and its support services, such as its gift shop offer a whole list of community events, much like a community center, hosting concerts and special classes and tours."
From the Paper "Architecture has always been a reflection of the significant influences and objectives of a society at a given time. The development of the gothic cathedral manifests the changes in creative thought and techniques of the medieval architect. "
