Abstract With its main focus on California v. Carney, this paper examines the "automobile exception" argument used to justify a warrantless search. The paper takes into account some of the prior major cases establishing the exception, as well as the cases decided afterwards.
From the Paper "The stop and search of motor vehicles has always created problems for law enforcement. Everyday they are required to sift through Fourth Amendment interpretations given by the United States Supreme Court, in order to justify their actions. This was exactly the case in California v. Carney 471 U.S. 386 (1985), where federal narcotics agents had conducted the warrantless search of Mr. Carney's motor home. The agents justified themselves by suggesting that their warrantless search fell within the "automobile exception;" whereas Carney maintained that the agents improperly searched his motor home, because they did not first obtain a warrant, which he claimed was required of them, because his motor home served as a residence, rather than an automobile. "
Abstract The paper shows that with only one exception, most of director Frank Capra's greatest movies take place during the depression, 1929-1941, or shortly after. His films are unique in that they are some of the first to display a faith in American opportunity and values in the context of institutional reform. This paper explores five Capra files in chronological order, "It Happened One Night"(1934), "Mr. Deeds Goes to Town" (1936), "Mr. Smith Goes to Washington" (1939), "Meet John Doe" (1941)and "It's a Wonderful Life" (1946) as summarized by author Ray Carney in his book "American Vision: The Films of Frank Capra". The paper shows how Carney illustrates these films' inclusion of characters that display the courage to act on their own conviction and to sway out of control groups to act in the interest of common good.
From the Paper "MR. DEEDS GOES TO TOWN portrays Longfellow Deeds as a personification of small-town virtue. After inheriting $20 million from a distant relative, Deeds moves from Mandrake Falls, Vermont to a mansion in New York where he is victim not only to bureaucratic pressures and social scrutiny, but is actually threatened with being made over into someone else. Under attack by shyster lawyers with motives to steal his fortune, Deeds successfully defends himself in court so that he will be declared sane enough to distribute millions of dollars to destitute farmers. Carney's interpretation of Capra's motivation for this work is that given the fundamental state of affairs, the marginality, and alienation of individual in a society that he is unable imaginatively to leave, he must therefore shape some sort of public expressive performance."
Abstract This paper explores the way in which American photographer, Harvey Stein, portrays New York City's kitschy escape destination in his photo-essay book "Coney Island". The paper discusses how Stein uses color and subjects to put together a book which so successfully reflects the feel and atmosphere of Coney Island.
From the Paper "Instead of giving Stein credit for continuing to grow rather than fall trap to a particular style, his critics lament his progress much the same as we lament all progress and our own aging and growth away from the things we found so magical in our youth.
But Stein is a photojournalist and the story changes with the times. Stein doesn't seem interested in the story behind the scenes, but rather in that which presents itself now in the pure, raw immediacy of the moment."
