Abstract The essay discusses the opera Carmen. The paper examines how musical instruments are used to reveal the emotion and intent of the characters in the play. The paper explains how more importantly, it is used to contrast between Don Jose and the Carmen to show the flirtatious way she uses the melody to seduce him. The paper shows how Bizet's choice of instrument reveals his desire to show how Carmen uses the melody as a mask for her true intentions.
From the Paper "The opera Carmen uses musical impressions to convey to the reader Carmen's desire to lure Don Jose into moral turpitude. Without viewing the opera, the sensual, alluring tones and lyrics of the songs allow the listener to understand Carmen's actions throughout the entire opera. This seduction by Carmen is probably most visible in Act 1 when she lures the honorable Don Jose in Habanera and Seguidilla into his temptation. Don Jose's seduction begins in Act 1 with Carmen's melodic Habanera. Part of the reason she is able to capture the attention of Don Jose and then lure him into temptation is because she uses few words."
Abstract This paper briefly explores the Aria Habanera in Carmen and demonstrates the significance of this aria within the broader context of the opera. It discusses the general significance and placement of aria in relation to the action and purpose of the plot. and then focuses on this specific aria.
From the Paper "Exploring the Aria "Habanera" in Carmen Introduction The placement of an aria in an opera is done for two principle reasons; an aria helps to develop the depth and the motivation of the singer's character, and helps to solidify the placement of this character in relation to the action and purpose of the plot. The aria "Habanera" from Carmen is an excellent representation of a successful aria. This paper shall briefly explore "Habanera" and demonstrate the significance of this aria within the broader context of the opera. The Purpose and Temporal Placement of "Habanera" In terms of its purpose, "Habanera: L'amour est un oiseau rebelle" is an aria that appears comparatively early in the opera. Its purpose is therefore less focused on plot than are many arias that follow, for the audience needs to be introduced to the title character and "Habanera" serves as an expositional song."
Critiques this 1944 opera, compared to Georges Bizet's 1875 "Carmen". Examines settings, time, characters, plot, themes (sexuality, race and romance) and music.
2,700 words (approx. 10.8 pages), 9 sources, 1999, $ 95.95
Abstract "Carmen Jones (produced 1944) by Oscar Hammerstein II is a version of Georges Bizet's opera Carmen (produced 1875), one of the most widely-known and best-loved of all operas. In transforming Carmen by changing its time and place, rewriting the libretto in English, and replacing Bizet's characters with African Americans
From the Paper "Carmen Jones (produced 1944) by Oscar Hammerstein II is a version of Georges Bizet's opera Carmen (produced 1875), one of the most widely-known and best-loved of all operas. In transforming Carmen by changing its time and place, rewriting the libretto in English, and replacing Bizet's characters with African Americans Hammerstein was attempting to broaden the audience for opera in America. Although Hammerstein managed to create the popular success he wanted, many of his changes undermined the dramatic-musical synthesis on which the success of Bizet's opera rests. The principal flaw in Hammerstein's version is that while Bizet's, and the characters', exoticizing racism was essential to the dramatic and musical structure of Carmen, the later work eliminates this essential tension. Carmen Jones was left with the drama of romantic passion and an attempt to ..."
Abstract Taking Horace's "Carmen Saeculare" as its theme, this paper considers the poem's role in the cultural developments of the Augustan period, particularly those around the year 17 BCE. Specifically, the paper gives attention to the interrelationships between Horace's work and the social, political, ideological, and visual culture of the Augustan age, demonstrating how the "Carmen Saeculare" was not merely a response to the new era, but also actively helped shape it.
From the Paper "The ludi saeculares are rooted in an old Etruscan tradition, which maintained that the life of a people or nation was cyclical. This concept is linked to the idea of a greater renewal; when an older generation has passed away, a new generation, a new age, rises up to take its place. Inasmuch as Augustus had been spearheading a complex program to radically transform Rome since he had "freed the republic oppressed by the tyranny of a faction," whereby he was reshaping the Roman political, visual, and religious landscape, it is not surprising that the ludi saeculares appealed to him as an effective tool to further this process. Thus, the Secular Games should not be seen as the starting point of the nascent golden age, but rather, a significant milestone along the road that added to the process of ideological transformation that was well under way even before Actium. "
Abstract This paper provides a discussion and comparison of three different versions of "Carmen", including the original story as written by Prosper Merimee, the opera version by Georges Bizet and the film adaptation of Bizet's opera, directed by Francesco Rosi. The main focus is on settings, themes, images and characterization.
From the Paper "The Georges Bizet opera Carmen is part soap opera and part action adventure. The tale of the passionate and beautiful Gypsy Carmen and her obsessive and reckless lover Don Jose is set in Andalusia in the early ..."
Abstract This paper explores the history of Latina (mainly Puerto Rican) women in U.S. politics. It looks at the paths that have been paved for Latina women today. It explores the deep community roots these women have. The paper illustrates how the Puerto Rican women, portrayed in this paper, have risen through their struggles and have proven that Latina women, politically, are the backbone and strength of their communities and their people.
From the Paper "Since before the Spanish-American War in 1898, there has been a significant presence of Puerto Rican politics in the urban areas of the United States, mainly in New York. Puerto Rican women have been especially influential in the political issues of their community, such as institutional issues like bilingual education, and issues surrounding the church, as well as issues closer to home, such as childcare. Other stronger political issues emerging were women and civil rights. Although most first generation Puerto Rican woman were not as active in mainstream politics as were the succeeding generations, they created the stepping stones for the generations to come by providing a sense of family, community, and familiarity. Throughout all of the obstacles that Puerto Rican women have faced all through the decades since the first migrations to the United States from the island, these Latina women have broken through their barriers and fought for what they believed in to get to where they are today. Throughout this essay it will be evident that these Puerto Rican women have risen through their struggles and have proven that Latina women, politically, are the backbone and strength of their communities and their people."
Tags: puerto, rican, feminism, community, government, nydia, velazquez, carmen
Abstract Discusses the life and career of graphic artist Bass. His graphic designs. His film work including GOODFELLAS, CAPE FEAR, CARMEN JONES, WALK ON THE WILD SIDE, THE MAN WITH THE GOLDEN ARM and other noteworthy movies. His many achievements & awards. His own productions of short films. Work on Corporate design programs. Sample of Bass' film & business designs.
From the Paper "Born in New York in 1920, after the end of World War I, Saul Bass grew up during a time in history when the world was going through massive changes. Women had just been granted the right to vote and Margaret Sanger was getting ready to launch the National Birth Control League (United States History, 1999). With the economic boom of the 1920s tumbling into the Great Depression of the 1930s, Bass was still fortunate enough to be able to study art under Howard Trafton at the Art Students League from 1936 to 1939. After World War II he continued his studies under Gyorgy Kepes at Brooklyn College, New York from 1944 - 1945 (Contemporary Designers, 1997).
In 1946, Bass moved to Los Angeles and started his company Saul Bass and Associates. Although he did mostly graphic design at the time, by 1954, about the time of the Civil Rights..."
Abstract In the novel, "Peel My Love Like an Onion" by Ana Castillo, the author addresses a number of issues related to immigration and the position of minorities in American life. In addition, she addresses issues of loss and separation from both people and other aspects of life. The paper shows that the love referred to in the title is both the love the protagonist has had for the two men in her life and also the love she once had for her chosen profession of Flamenco dancer, a love lost because of her polio and its crippling effects. The paper shows how she, in fact, becomes separated from everything she values in life, suggesting much about those in society who are cast aside for any reason and who then live desperate lives simply trying to survive.
From the Paper "There is a great difference between the working conditions Carmen experiences as a dancer and those she encounters in a series of smaller jobs she has to take later in order to survive, but there are similarities a well. There is a metaphor of servitude that runs through the novel, whether it be servitude to a demanding teacher like Agustin or to the system itself as she tries to survive in low-paid jobs in a society that places little value on people from Mexico, little value on women, and little value on those who have to do these low-paid and dead-end jobs that society may need but never really values."
Abstract The paper analyzes "The Sisterhood of the Traveling Pants", written by Ann Brashares about four girls who have been close friends since they were small children. The paper describes how, for the first time in their lives, Tibby, Lena, Carmen, and Bridget are about to be separated from one another, managing to preserve their friendship because of a very special pair of jeans. The paper examines how, because each of these girls has different interests and personalities, their friendship depends upon accepting one another for who they are. The paper analyzes how acceptance is one of the most important themes in "The Sisterhood of the Traveling Pants", and Ann Brashares develops this theme through plot and characterization.
