This paper explores the music of David Bowie, especially his character Ziggy Stardust, which was a reaction to the latter half of the 1960's British rock movement.
Abstract This paper explains that the concept album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" by David Bowie, the self-made man who is famous for his fleeting construction of personas, changed the way heavy metal, hard rock, punk music, glam rock and progressive rock sounded. The author points out that David Bowie's teenage wilderness years coincided with the gold-lame era of vintage rock 'n' roll, which reached England in the late 1950s in the form of American hip-swinging, lip-curling singers giving vent to youthful frustrations in a way seen as morally threatening such as Elvis Presley's "Hound Dog", Fats Domino's "Blueberry Hill" and Little Richard. The paper states that the album represented the archetypal rise and fall of the world of pop, which recently had experienced a sense of lost with the breakup of the Beatles and, with them, the cheery innocence of the 1960's; thereby, Ziggy became for many people the missing link between American punk and tight Beatle melodies.
From the Paper "Kenneth Pitt first entered Bowie's life when he made a suggestion to Bowie's manager that there were already too many Joneses in the entertainment world. The Bromley-raised David Jones saw the adoption of a new stage name as an opportunity to redefine his faltering career and changed his name to David Bowie, after the American Colonel James Bowie, Davy Crockett's sidekick in The Alamo. Pitt and Bowie soon paired up, and it became apparent the Bowie desired to become the "renaissance man of pop". Bowie's aspirations were to sing and dance; he wanted to be seen as an artiste rather than someone who had only just recently shed his rough and ready R&B skin."
Abstract This summary outlines Bowie's attempts at defining the term 'ritual' in an anthropological and culturally acceptable way. She discusses the differing stances on the symbolism of ritual, as well as the more specific ritualistic 'rite of passage'. She also includes a section investigating the gender-specific function of rituals and its possible patriarchal nature.
From the Paper ""Ritual" as a social and anthropological concept is difficult to define. Although, ethnocentric thinking has influenced researchers into believing that ritual is a universal phenomenon, it is quite illogical to attempt to find a single "type" or definition of ritual to explain the diversity this term encompasses. Although Fiona Bowie suggests that modern anthropology operates with the assumption that there are common behaviours and themes which allow researchers to identify ritualistic practices, she warns against universalistic definitions. However, in the attempt to examine ?ritual,? anthropologists and theorists have formulated broad concepts which they believe address the components of ritualistic practice."
Abstract Over the years, numerous musicians have offered alternatives to popular music and have begun a new wave of experimentation. This paper focuses on the composition and production of one of these artists, the contemporary British musician and producer Brian Eno. After looking at how Eno's musical career began in 1972, it then begins to analyse the development of his ambient music genre with particular reference to his solo album "Music For Airports" (1978). It then looks at two of Eno's most successful collaborations, that of David Bowie and U2, while concentrating on his different styles of production for each artist and the effect of his own compositional process on the final outcome.
Outline
Introduction - A Brief History
Eno - Ambiance and Composition
Collaborations - To Influence and Inspire
Working With Bowie Working With U2
Summary
Bibliography
Discography
Websites
From the Paper "Brian Eno is not only known as a musician and producer but also as a composer who is not afraid to draw on the assets of many types of music and musical ideas. He has been described as an artist, professor and a thinker who stretches the confines of rock music with his use of mixing popular genres with experimentation and minimalism. His compositions range from progressive rock to what Eno calls ambient music, where he concentrates on experimenting with the colour of sound and texture, with the use of what he calls his "real instrument" the recording studio. Also using this instrument Brian Eno has collaborated as a co-composer and producer with a large amount of rock and non-rock musicians, resulting in various combinations of styles at different levels of influence. "
Abstract This paper discusses the historical relevance and accuracy in popular music. The research discusses the history, musician, and lyrics from three songs specifically: David Bowie 's "Space Oddity", Abba's "Waterloo" , and Don McLean's "Vincent". The author examines how these songs are examples of our culture's attempt to understand and relate to history.
From the Paper ?Historical events are often written about in fictional novels, used in television and cinematic forms, and even more often, referenced in music. Popular music often fictionalizes actual events for dramatic effect like Space Oddity by David Bowie or emphasizes a personal lament by referencing actual events like Waterloo by Abba. Some popular songs are even written about the lives of historical figures, such as Vincent van Gogh in Don McLean's Vincent. These three songs are an example of our culture's attempt to not only understand the past, but relate to it as well. The question, of course, is whether these songs are using the history they refer to in the correct context or correctly describe the events of the past.?
Abstract This paper is a detailed analysis of the Battle of the Alamo. Attention is paid to the leadership styles of the Texan and Mexican commanders.
From the Paper From the paper:
"The Battle of the Alamo: Analysis of Principles of War and Leadership Tactics
The Battle of the Alamo, often called the most heroic and deadly battle of the Spanish-American Revolution, was prefaced by a series of events that led to the escalation of the Alamo Battle. One such siege, the Siege of Bexar, took place December 1836. Bexar, previously known as San Antonio de Bexar, was under the control of Mexican General Perfecto de Cos with about 1200 soldiers from Mexico. For almost two months, Texas volunteers had camped near the town in a virtual standoff with Cos. The stalemate ended, however, when one of the Texas leaders, Ben Milam returned from a brief absence to find that the Texans were about to withdraw to Goliad."
Tags:bowie, crockett, davy, independence, james, mexico, revolution, texan, texas, travis, war, william
Abstract This paper examines how corporations deal with their stakeholders. The writer contends that, along with Norman Bowie, there is a moral imperative for corporations to treat stakeholders as ends rather than means. Moreover, the writer states that the best prospect for achieving this movement in stakeholder theory will be found in Immanuel Kant's moral theory.
From the Paper "Contrary to popular belief, one of the fundamental principles underpinning capitalism is one of respect for persons. It is our disposition to treat other agents as free and rational individuals deserving of particular rights and duties that establishes certain principles and rules concerning how we ought to treat each other in the organization and function of business practices and institutions. The everyday conduct of business is not simply, I contend, a hedonistic pursuit of profit at all cost. In addition to the economic imperatives that certainly do drive corporations, there is also a concomitant moral imperative that governs how we fulfil our economic activities. "
Abstract The paper traces the history of baroque music which reached its peak in the 1700s with musicians such as Vivaldi and Bach. It then compares this music to the development of the rock music of the 1970s, identyfing the audience and the culture of both periods. The paper shows the similarity between the two time periods - in each of the two, music has been an instrument to cultural change. They were important to the audience because they could socially represent themselves or expressed their emotions through them.
From the Paper "Comparatively, in the modern era, the status of music has a different status quo. If one recall the period of the 1970s, the population of America especially experienced a period of "grotesqueness" as well. The culture of American population changed from discriminatory to one of extreme liberty. Different kind of music was experienced right from rock music to reggae. The resulting is an amalgamation of different cultural tunes. One could attribute the change of attitudes of the people towards music to the cultural trends prevailing at the time."
Abstract This paper discusses the events leading up to the fateful standoff at the Alamo that also set the stage for the Texas War of Independence. It contends that posterity has built a mythology around the Alamo that has been difficult to authenticate. It explains that Alamo stands as another emblem of the American quest for liberty, freedom, and independence.
From the Paper "The battle for the Alamo has grown to mythic proportions bolstered in posterity by those keen to liken the last stand of Davy Crockett, Jim Bowie and William Barret Travis to the Spartan defense of Thermopolyae two and a half millennia hence not a particularly shrewd or strategic military ploy the defense of the Alamo was as much a miscalculation as it was a rebellious last stand ..."
Tags: the alamo, davy crockett, jim bowie, texas, texians, mexican independence, santa anna
