This paper explains that, in "The Communist Manifesto", Friedrich Engels and Karl Marx deplore the emergence of classes, such as the bourgeois and the proletariat, which they consider to be products of the rise and dominance of capitalism in Europe. The author points out that, in "The Lesson", Toni Cade Bambara relates how the African-American children, who are intimidated by the displays of white wealth they see on Fifth Avenue, are reluctant to enter the F.A.O. Schwarz toy store and express their resentment through scorn. The paper demonstrates how Bambara uses plot, themes, characterizations and the symbolism of the settings to create the conflict between social classes that is also suggested by Engels and Marx. The paper includes quotations from the book.
From the Paper:
"Examples from "The Communist Manifesto" and this scene from "The Lesson" confirm this and demonstrate how literature can be an ideological force. For example, Marx himself observed that literature is not a static mirror image of culture; rather it is itself a contributing force to the social dialectic of history. Furthermore, he noted that literature does not just reflect the hegemony of the ruling class; it also reflects the oppositional forces that counter that hegemony. It carries the vestigial traces of past modes of production and the germs of the future modes of production."
Sample of Sources Used:
Bambara, Toni Cade. "The Lesson." Online. Available: http://cai.ucdavis. edu/gender/thelesson.html. 20 November 2006.
Marx, Karl and Engels, Friedrich. The Communist Manifesto. New York: Signet, 1998.
Toni Cade Bambara's "The Lesson" (2012, January 15). Retrieved February 03, 2012, from http://www.academon.com/Book-Review-Toni-Cade-Bambara's-The-Lesson/100485
"Toni Cade Bambara's "The Lesson"" 15 January 2012. Web. 03 Feb. 2012. <http://www.academon.com/Book-Review-Toni-Cade-Bambara's-The-Lesson/100485>
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