An analysis of "Murder in the Cathedral" by T.S. Eliot and "Saint Joan" by George Bernard Shaw.
Written in 2007; 1,748 words; 4 sources; MLA; $ 56.95
Paper Summary:
The paper discusses T.S. Eliot's "Murder in the Cathedral" and George Bernard Shaw's "Saint Joan" within the scope of the modernist movement. The analysis uses these works as the context for discussing ideas about the development of literary modernism. The paper presents a brief exploration of modernism and defines it as a general term applied to experimental and avant-garde trends in the literature of the early 20th century. The paper explains that within literature, modernism is characterized by a rejection of 19th-century traditions such as religious norms and conventional beliefs. The paper offers modernist parallels between "Murder in the Cathedral" and "Saint Joan."
Outline:
Abstract
Modernism Defined
Eliot's "Murder in the Cathedral"
Shaw's "Saint Joan"
Modernist Parallels Between "Murder in the Cathedral" and "Saint Joan"
Closing Thoughts on Modernism
From the Paper:
"In 1935, TS Eliot wrote "Murder in the Cathedral", a work that encapsulated many of the themes of the modernist point of view: the examination and questioning of modern religious beliefs, the faith of people in the essential goodness of their fellow human beings, and the validity of the submission of free thinking people to the will of God. When the Knights in the tale kill the priest within the cathedral itself, there is more than human flesh being put to death; rather it is feasible that Eliot was showing the death of faith and the fading away of the religious institutions that shaped the lives of so many, and as such, was showing support for the core of the modernist mindset."
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