The 'Alchemist' and Duality

Paper Summary:

In this article, the writer notes that duality in literature and drama is a common theme suggesting various relationships between people, attributes, character traits, and also suggesting the larger dictum that things are not always what they seem. The writer discusses that the 'Alchemist' is a comedy written in verse and that two of the central themes in this play are inherently shaped around ideas of duality. The first of these themes is that of illusion versus reality, again a common theme in drama and one that includes duality as how things appear is not how they truly are. This theme also shows the tendency people have to see what they want to see and to fail to perceive the true nature of people and things in this world. A second theme in this play is transformation, clearly a term related to the idea of an alchemist, who had as his primary goal changing base metals into gold, an idea that was an illusion in itself. The writer notes that in the 'Alchemist' this idea involved a deliberate duality as even the concept of alchemy itself becomes the subject of and means to a swindle, a deliberate illusion to mask the true intent of the perpetrator.

From the Paper:

"The names of the characters have a duality all their own as they tend to be fitting to the real character while the character him or herself seeks to hide that fact. The three conspirators are Subtle, Face, and Dol Common, and the use of the word "subtle" in particular suggests deception. Their primary target is Sir Epicure Mammon, a man whose name represents two of the seven deadly sins, gluttony and greed. The house where the conspirators create their illusion is owned by a man named Lovewit, also suggestive of one who knows a deception is taking place and who enjoys the game of it, though in fact he has left London to escape the plague. The conspirators want to be all things to all people, so long as this will give them an advantage and enable them to fleece those who visit them. Mammon is attracted by their promise of the Philosopher's stone, a legendary artifact that can turn base metals into gold and that is the object of all alchemical inquiry. Kastril is attracted by the promise of a charm so he can win at cards. Drugger the tobacconist wants his shop cleansed of impurities and supernatural threats. The duality of the three conspirators is matched by that of Pertinax Surly, the man who sees through their deceptions and who uses a disguise of his own to investigate."

Sample of Sources Used:

• "Ben Jonson." NNDB (2007). December 2, 2007. http://www.nndb.com/people/168/000025093/.
• Clack, Randall A. The Marriage of Heaven and Earth: Alchemical Regeneration in the Works of Taylor, Poe, Hawthorne, and Fuller. Westport, Connecticut: Greenwood Press, 2000.
• Craig, Hardin. The Enchanted Glass: The Elizabethan Mind in Literature. New York: Oxford University Press, 1936.
• Donaldson, Ian Grant. Jonson's Magic Houses: Essays in Interpretation. Oxford: Clarendon Press, 1997.
• Goodman, Paul. The Structure of Literature. Chicago: University of Chicago Press, 1954.

More papers on The 'Alchemist' and Duality:

• Term Paper # 125715 : "Lessons in "The Alchemist"
• Book Review # 125761 : "Magical Realism in "The Alchemist"
• Analytical Essay # 133232 : "Paulo Coehlo's "The Alchemist"

APA Citation:

MLA Citation: