An analysis of Edmund Spenser's poem "The Faerie Queene," focusing on its fairy tale motifs such as the binary oppositions represented by Una and Duessa.
Written in 2009; 1,868 words; 4 sources; MLA; $ 59.95
Paper Summary:
This paper discusses "The Faerie Queene," by Edmund Spenser, and its apparent affinity to the fairy tale genre, due to the personification of good and evil in the characters Una and Duessa. The writer explains how, while keeping the traditional dichotomy of characters that make up a fairy tale world, Spenser twists what we normally think of as the world of fantasy. Not only does RedCrosse through his fallibility bring it back to reality and the realization that it is impossible for humans to be purely one thing, but in Una Spenser introduces the possibility of the good character being taken over and exploited.
From the Paper:
"With Spenser's characters operating in the same way as a fairy tale, it is easy to identify with Una and know that it is she, not Duessa that we should most identify with and aspire to be like. In the world of a fairy tale in which the hero triumphs, the beautiful girl is chosen over all others and the wicked are punished, the role of each character is clearly defined and the only one who seems too fleshed out for this fantasy world is RedCrosse. Being outside the story ourselves, the disguise of beauty does not fool us in the same way it does RedCrosse, as he is still childlike in his search for proper placement in society. He must learn the qualities that are most desirable and be able to see past the physical appearances."
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