An examination of philosophy and the possibility of female subjectivity in Virginia Woolf's novel, "To the Lighthouse."
Written in 2009; 4,877 words; 19 sources; MLA; $ 124.95
Paper Summary:
This paper examines the philosophical implications of Virginia Woolf's work, "To the Lighthouse." It discusses the content of the book and specifically looks at Woolf's critics' views on the construction of subjectivity in relation to the "real" world of objects in her novel. The paper also discusses how Woolf's awareness of philosophy affected her novels.
From the Paper:
"As a number of critics have observed, Woolf's awareness of philosophy through the work of her father, Leslie Stephen, and the work of "Cambridge" philosophers such as Russell and Moore, had a discernable effect on her novels. This is particularly illustrated by the problematic posed by the "subject and object" and the independent existence of the "table" within To the Lighthouse. The novel deconstructs the division between subject and object that posits the absolute authority of the former over the latter, thus destabilizing the "thinking subject." Moreover, these shifts further her "political and aesthetic agenda" of achieving an autonomous female space where identity can be deconstructed and reconstructed. Lackey's claim that Woolf rejected philosophy mistakes her rejection of certain branches of philosophy for that of the discipline altogether."
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