An examination of naturalism in Upton Sinclair's novel, "Oil" and the effect of Paul Thomas Anderson's movie, "There Will be Blood" on the novel.
Written in 2009; 1,958 words; 3 sources; MLA; $ 62.95
Paper Summary:
This paper discusses literary naturalism as an attempt at objective depiction of human beings in the context of their social and natural environment. It specifically focuses on Upton Sinclair's lengthy and riveting novel, "Oil." The paper also looks at the effect of Paul Thomas Anderson's adapted story of "Oil" in his movie, "There Will be Blood" on the popularity of the novel, "Oil."
From the Paper:
"In There Will be Blood, the title that Sinclair actually intended at first for his novel, Paul Thomas Anderson focuses specifically on the main character that bears here a different name from his correspondent personage in the book. Thus, Daniel Plainview, interpreted in the movie by Daniel Day Lewis, is the same rich businessman who exploits the land and grimly annihilates his competition to make sure the whole scene of oil exploitation belongs to him exclusively. Thus, whereas Sinclair's novel focuses broadly on the social panorama offered by the beginning of the twentieth century, the movie narrows its interest down to the main character whose grisly murders and evil actions form the core of the film thread. Interestingly, the movie almost effaces the character of the son and highlights the Daniel Plainview in opposition or compared to the preacher of the village, Eli Sunday. The pivotal scenes of the movie centered on these two exploiters, who are equally sinful and malicious. Thus, the movie clearly focuses on the naturalistic aspects of the story, and principally on the two characters, Daniel Plainview- the oil exploiter- and Eli Sunday- the spiritual exploiter. At the same time, the social context so widely discussed in the novel is almost absent here. The silent but gruesome combat between the two social leaders, both representatives of corruption, is certainly the main focus of the movie."
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