An analysis of Rob Fleming's character compared to the traditional Bildungsroman character in Nick Hornsby's novel "High Fidelity."
Written in 2007; 988 words; 2 sources; MLA; $ 35.95
Paper Summary:
This paper reviews Nick Hornsby's novel "High Fidelity." It discusses the general plot of the novel and describes, in detail, the role of the character Rob Fleming in the plot. The paper compares the character of Rob to the traditional Bildungsroman character and suggests that he does not fit with this typical role. It describes scenes and narratives of Rob's to explain this view-point.
From the Paper:
"Eventually, by the end of the novel, Rob begins to acknowledge Laura's humanity as well as his own. This separates him from his friends: "'we're not as bad as you think, Rob.' 'You couldn't be. Look, Barry. There's going to be people from Laura's work there, people who own dogs and babies and Tina Turner albums. How are you going to cope with them?'" (303) Rob has, like the Bildungsroman hero, become integrated into a larger society and become a man and learned to judge persons on more meaningful criteria than their love of counter-cultural music on LPs. But rather than suggest that this is a loss of youth, ingenuity, and vitality, Rob's maturity comes to Laura, to the reader, and ultimately to himself as a relief, as this maturity has been long overdue."
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