The paper describes how Jean Rhys uses flashbacks to set both the tone and the pace of "Good Morning Midnight". The paper portrays how the character of Sasha Jensen was more than simply depressed; she was nearly pathologically self-destructive, a woman trapped by the cruel vagaries of society, at a loss for how to escape the demons of the past.
From the Paper:
"Jean Rhys uses flashbacks to set both the tone and the pace of the story. Rhys, in fact, opens with a flashback to the previous night, when Sasha finds herself crying over a memory brought to the surface by a woman humming to the score of a song: "Gloomy Sunday." From this memory, Sasha blinks briefly into the present only to revisit the past again. Through these memories we learn that she envisions herself as being better than the circumstances in which she currently lives and that her life has changed despite her friend assigning her to that "atmosphere" of existence. Even her name, Sasha, does not belong to her (Rhys 12). Sasha has molded herself into her current image and finds herself trapped there, by society and by her friends."
Sample of Sources Used:
Rhys, Jean. Good Morning, Midnight. New York: W. W. Norton and Company, 1986
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