A discussion on the dynamics of time in Dostoevsky's "Crime and Punishment", focusing on the ways in which free will and ideas of good and evil influence the actions of Raskolnikov and Svidrigailov.
Written in 2007; 3,253 words; 6 sources; MLA; $ 93.95
Paper Summary:
This paper discusses the idea that Dostoevsky uses futurity in "Crime and Punishment" primarily as a device to tackle the complex problems of predestination and free will, and that his solutions are solidly grounded in Christian thinking. The discussion focuses on two fated events, Raskolnikov's crime and the linking of his life with Sonya's and the appearance of his "double", Svidrigailov, and Raskolnikov's impetus to steer his life in a direction that will keep him from following in the footsteps of a completely unrepentant sinner.
From the Paper:
"The moral reader will rightly suggest that Raskolnikov's first choice, central to his redemption, is whether or not to kill the old pawnbroker, and that his misery stems from having used his free will to choose the wrong path. But I would argue that within the Byzantine universe of the novel, the murder is more than the central plot point; it is an inevitable, fated event that sets Raskolnikov's insular, insignificant life in motion. It is the choices he made before--refusing gainful employment (idle hands, after all, are the Devil's plaything), abandoning the faith of his upbringing, adopting a philosophy that gave him the license to place himself above the plane of Heaven's subjects--that have lead him to his present state, in which violent crime is unavoidable. "
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