A review of the short story "The Dinner" by Roddy Doyle.
Written in 2006; 1,185 words; 1 sources; MLA; $ 40.95
Paper Summary:
This paper examines the primarily dialogue-driven style of writing that Irish novelist and dramatist, Roddy Doyle uses in the short story "The Dinner". The paper explains that Doyle chooses to create and develop his characters, contrasting some (like Larry and Ben) and assimilating others (like Stephanie and her sisters) primarily through dialogue rather than through narration, description, action, or conflict. The paper points out that by giving some of them distinct voices and giving others similar voices, Doyle effectively and humorously emphasizes and aggravates the primary conflict at hand, and clearly expresses his theme, or thesis, about racial prejudice in a way that is resonant and memorable.
From the Paper:
"While Larry displays his ignorance through dialogue with questions such as "What d'yis eat over in Nigeria, Ben?" (308), Ben is given a way of speaking that shows him to be diplomatic: "I have become used to these insults" (308). Moreover, Larry's constant use of contractions and slang also gives him an air of unsophistication: "D'yeh have spuds like them in Nigeria?" (308). Larry is also prone to swearing: "Get up yeh gobshite" (308). Contrastingly, Doyle carefully avoids using contractions, vulgarity or any form of slang when crafting Ben's dialogue. Rather, he chooses to give him a very formal tone: "I will not listen to this profanity. I find it most offensive" (309)."
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