A comparative analysis of the concept of absurdism in the characters of Meursault in, "The Stranger" by Albert Camus, and Gregor Samsa, in "The Metamorphosis", by Franz Kafka.
Written in 2009; 1,450 words; 0 sources; $ 48.95
Paper Summary:
This paper discusses how Monsieur Meursault of "The Stranger" by Albert Camus is a prime example of a man who took absurdism to its pinnacle and established himself as an absurd hero. It also examines how Gregor Samsa of "The Metamorphosis" by Franz Kafka can also be viewed as a follower of the absurd, although the concept of absurdism was not fully developed at the time of publication of the book. The paper contends that unlike Meursault, who adheres to revolt, freedom, and passion completely in a free, wide world, Gregor must accept the consequences of the absurd in a limited, locked chamber in a transformed state, which in turn compels him to assume an incomplete disposition of revolt.
From the Paper:
"Gregor Samsa, after his transformation from human to vermin, is forced to accept the consequence of revolt after his father "gave him a hard shove [into his room], and bleeding profusely, he flew far into his room [and] the door was slammed shut with the cane" (Kafka 19). Revolt is "a constant confrontation between man and his obscurity, an ongoing struggle with the absurd," which forces the absurd hero to deny all reasons that come in conflict with absurdism: logic, religion, and social norms of society (Rhein 28). The hard shove and the slamming of the door by his father signify that his family no longer accepts him as who he once was: a traveling salesman who works hard to support his family in order to repay his parents' debt (Kafka 4). The rejection by his own family forces him to abandon the social norms of society since he can no longer establish communications with his family members and is trapped inside a room treated as an inhumane insect. "
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