An examination of Walker Evans' publication, "American Photography" and of Douglas R. Nickel's assessment of the work in his publication, "American Photography Revisited."
Written in 2009; 1,059 words; 0 sources; $ 37.95
Paper Summary:
This paper examines "American Photographs Revisited," written by Douglas R. Nickel, which explores the impact of Walker Evans' and the Museum of Modern Art (MoMA) publication, "American Photography." The paper discusses the purpose and success of the original work and then looks at Nickel's assessment of Evans' publication in his book.
From the Paper:
"Photography is a core feature of the American arts. However, photography is equally as important for American history and American journalism. Nickel's essay "American Photographs Revisited" explores the multifaceted media with aplomb. Bringing Evans' and Kirstein's backgrounds into the analysis aids the author's deconstruction of the seminal book. By elucidating their social class and educational backgrounds, for example, Nickel demonstrates how Evans and Kirstein were not unbiased. Their objective with American Photographs was to present a combination of historical documentary with artistic genius. Published by MoMA, the book was never intended to be photojournalistic or political but ended up being both."
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