Abstract This paper examines the film, "Blue Velvet," directed by David Lynch. Specifically, it discusses mise-en-scene and cinematography in the film. It looks at how David Lynch is a master of the film noir, dark and brooding types of films that disturb, disquiet, and titillate, all at the same time, and how "Blue Velvet" is no exception. It discusses how the film is part blue porn flick, part girl-next-door love story, and part sadistic kidnapping, and how the elements all blend together to form a cohesive whole because of Lynch's masterful use of mise-en-scene staging and cinematography. "Blue Velvet," even with its happy ending, leaves the viewer wanting more, somehow and that, too, seems to be just what Lynch intended.
From the Paper "Mise-en-scene is a French term describing the "director's text" or staging of a film, and in "Blue Velvet," David Lynch's intricate and often surreal staging is an integral part of the film. He arranges space and time in the film with such dark and dreamlike qualities that the film can be nothing more than memorable and yet quite disturbing at the same time ? a true mark of Lynch's film and a tribute to his mise-en-scene. The most compelling visual motif in the film is of course the color blue. Lynch stages action around the color to keep it always in the memory of the viewers. The film opens with a sensuous scene of blue velvet fabric undulating on the screen, the theme continues from the background music to the clearly blue cigarette smoke issuing from the cigarettes of the characters, and in fact, Dorothy, the nightclub singer and sado-masochist, is known as "The Blue Lady" in her act."
Abstract In this paper, the writer introduces, discusses, and analyzes the development of jazz and the blues. The roots of these two forms of American music are traced. The author also explores the influence of African-American slave music on these forms of music. Several notable jazz and blues artists are discussed. The author concludes by stating jazz and blues are popular forms of music throughout the world.
From the Paper "Some of the more recognizable blues artists include Robert Johnson, Billie Holiday, Blind Lemon Jefferson, Charlie Patton, Son House, T-Model Ford, Howlin' Wolf, BB King, Muddy Waters, and Leadbelly (Gioia). Many jazz musicians have influenced the music and become famous in their own right, too. Early musicians include Scott Joplin, Duke Ellington, Louis Armstrong, Ella Fitzgerald, and many others. Jazz continues to evolve today, with "smooth jazz" gaining in popularity, and modern influential artists include Wynton Marsalis and Kenny G. Advocates included many black and white writers of the times, such as Richard Wright and Langston Hughes, who recognized the importance of the music and helped spread interest about it around the world."
Examines the risk and hazard factors of bright blue light in the workplace and compares the use of green light in the work place and examines the safety issues relating to green light use.
Abstract This research paper examines the hazards and risks associated with the use of blue light in the work place. In addition, the paper examines the use of green light in the workplace and the safety issues relating to the use of green light. Also examined is the fact that blue light marketers inform the public that lamps with 'enhanced' UV will ensure better health.
From the Paper "Photometric quantities such as luminance (brightness in cd/cm2 as perceived by a human "standard observer") and illuminance in lux (the "light" falling on a surface) indicate light levels spectrally weighted by the standard photometric visibility curve which peaks at 550 nm for the human eye. To quantify a photochemical effect it is not sufficient to specify the number of photons-per-square-centimeter (photon flux) or the irradiance (W/cm2) since the efficiency of the effect will be highly dependent on wavelength."
Abstract In this paper the author looks at the painting, ?Composition with Red Yellow and Blue? c. 1922 by Piet Mondrian and attempts to bring a sense of purpose to the painting and instill the reader with a sense of appreciation for the message that Mondrian imparts through his art. He concludes by examining the September 11th attacks in relation to Mondrain's art and contends that Mondrain would have regarded it as surreal.
From the paper:
"Mondrian believed that artistic expression should be found in the abstraction of form and color and that his use of vertical and horizontal lines would express the perfect harmony between these two extremes".
Tags: artists, painters, Piet, Mondrian, Composition, Red, Yellow, Blue, Amsterdam, Theosophical, Neoplatonic, Panthelistic, Paris, De, Stijl, Le, Neo, Plasticisme
Abstract This paper describes the painting, "Blue Bowl", and explains how the artist's use of contrast, line, and color in this painting create the balance and rhythm characteristic of Alexander's work.
From the Paper ""The Blue Bowl" contains several contrasting formal elements that contribute to its energetic nature. For example, a thick, black background competes with the woman's milky skin. The contrast enables her figure to jump out of the background, giving her lightness and freedom from an otherwise nebulous environment. Moreover, only part of her skin is exposed, from the nape of her neck and her upper back. The skin here is also far brighter than the skin on her hands and face, which remains in shadow. Most of the woman's skin remains concealed beneath the dress; like the contents of the bowl and the atmosphere of the room she graces, the bulk of her body is unseen by the viewer. The floral print dress jumps out of the canvas largely because of its color scheme. Just as her skin contrasts sharply with the dark background, so too does the ivory-colored dress, the piece of furniture she leans on with her left hand, and the background of the titular blue bowl."
Abstract The paper provides an analysis of Wallace Stevens' poem "The Man with the Blue Guitar". Specifically, the paper discusses the author's conception of poetry compared to classicism and to another trend of modernist poems. A copy of the poem is included at the beginning of the paper.
From the Paper "Indeed, Wallace Stevens' work differs in multiple ways from Pound's. Stevens focuses mainly on the frontier that lies between imagination and reality. He believes that poetry is what humans do: the poet is aware of his role in society. This point of view over the authorial voice parallels some romantic concepts, a paradox since most modernist poets tended to escape from the formalism and ornament diffused by the romantic movement. "
Abstract This paper begins by discussing how Mississippi Delta was the birthplace of the Blues movement and introduces the first musicians of this form of music. It then discusses how the Blues movement developed into a form of community bonding and how it benefited the community. It mentions landmark institutions which developed from the Delta Blues. These include the Delta Blues Museum and the The Delta Blues Education Program, The Delta Blues Hall of Fame and The Mississippi Delta Blues Society.
From the Paper "The Mississippi Delta is not a large area geographically, yet writer Robert Palmer argues that it has contributed more to American music than any other region (Palmer, 1993, p. 11). Famous Delta blues musicians include Robert Johnson, Charley Patton, B.B. King, Sonny Boy Williamson, Muddy Waters, Floyd Jones and Howlin' Wolf. And even though Delta natives such as Albert King and John Lee Hooker left for more promising opportunities elsewhere, hundreds of other artists stayed behind and kept the blues tradition alive at home where today it is played at weddings, house parties, fish fries, juke joints and festivals (Clarksdale, 1999)."
Tags: society, fame, museum, education, institution, music, jazz
Abstract This paper is an in-depth examination of the Blues. It begins by taking a look at the Deep South roots of the original Blues during slavery and how it began to spread north to Harlem in the late 1900s. The birth of contemporary Blues in the 1940s is detailed and it looks at some of the musicians, such as Scott Joplin who began incorporating these rhythms into their music. The next area covered is the building of the Blues, and traces the growth of different genres from the original blues. According to this author, the legacy of the blues was set, when it reached the ears of Elvis Presley, which led to the birth of rock and roll.
From the Paper "The music that was originally known as the blues developed from a variety of hereditary and regional musical influences and practices popular among the people of the southern portion of the United States. The roots of all varieties of blues music can be traced to the southern states, particularly those that comprise the area of the nation known as the Deep South. The music originating in the hills and backwoods of Mississippi, Tennessee and Kentucky, music that has become most commonly associated with "hillbilly" bands and rhythms, is in fact a variety of the blues genre that is often referred to as "country blues" (Pooley 86). The style and genre that is most commonly associated with the blues, however, is also commonly associated with the nation's African-American sector and stems from the "Delta blues", a form of the blues that originated among the slave populations of the antebellum south and developed alongside its country "cousin" (86). This distinct musical style and form developed from the West African rhythms and beats that were brought to America by African slaves imported during the early years of slavery, rhythms and beats that were kept alive and passed down from generation to generation by the traditional music and songs of southern slaves."
Tags: musicians, south, deep, harlem, genre, rhythm, slavery, music, american, ragtime, emancipation, style, note, rock, roll
Abstract This paper discusses the insurance company Blue Cross Blue Shield of Missouri. The paper describes the negative public perception of this company due to incomplete information provided on the company's website. The paper claims that the insurance company does not make its members aware of the benefits due to them. Suggestions are presented to employ marketing strategies that will improve Blue Cross Blue Shield's public image.
From the Paper "In the past, the marketing of Blue Cross Blue Shield of Missouri has faced severe criticism. A Market Conduct Examination Report by Health Care Financing Administration notes that Blue Cross Blue Shield of Missouri "utilizes an overall marketing, policy issuance and application process hostile to Missouri residents attempting to exercise their rights as provided for in the Health Insurance Portability and Accountability Act of 1996" (Health Care Financing Administration). Specific criticisms of the marketing policies of Blue Cross Blue Shield of Missouri not that the company "Withholds access to information regarding guaranteed available policies from consumers attempting to access information through (Blue Cross Blue Shield of Missouri)'s marketing website" (Health Care Financing Administration). Specifically, the organization charges that BCBSMo does not inform consumers of the "availability of BasicBlue coverage" on its website."
Abstract This paper introduces, discusses and analyzes "Sonny's Blues" by James Baldwin, a short story set in New York City's Harlem. Specifically, the the paper discusses the role the blues plays in the story. The paper shows that "Sonny's Blues" is about being lost, and trying to be found, within the context of being a black man in this society; and of finding oneself as so many black men have, through the blues?both as music, and as storytelling.
From the Paper "But if blacks recognize each other in the rarefied smoky atmosphere of the jazz clubs, black society at large often doesn"t even honor its own. It's sometimes impossible to earn a living as a musician--something the narrator warned Sonny about after their mother died. The narrator doesn"t even know who Charlie Parker is"perhaps the greatest jazz musician of all time. If blacks themselves can"t recognize the geniuses among them, what chance does Sonny have? "You"ll have to be patient with me. Now. Who's this Parker character?? the narrator asks Sonny, who becomes sullen and turns his back. ?He's just one of the greatest jazz musicians alive.? Sonny, too, will turn out to be a creative genius. For the black man, this means spontaneous improvisation: "Baldwin's bastardized characters must legitimize self through endless improvisation"[they] begin with memory, then bursts out into improvised song.? (Tsomondo, p. 197)"
Abstract The purpose of this paper is to discuss and analyze the three works "Sonny's Blues," by James Baldwin, "The Sorrow Songs," by W.E.B. Du Bois, and "Am I Blue," by Alice Walker. Specifically, it discusses the use of the blues in all three works, and how music influences each story. The writer argues that music, specifically the blues, plays an important and valuable role in supporting the characters and making the stories more believable and moving.
From the Paper "Each author uses the blues in a different way, but the music plays an important part in each story, making them more readable, and the characters more sympathetic to the reader. The blues is a form of music that originated in black Harlem in New York City in the 1920s and 1930s. It has always been a kind of melancholy music that illustrates the unhappiness and unsettled lives of black Americans."
Abstract This paper answers various questions regarding the marketing position of Pepsi Blue. It answers the following questions: Why has Pepsi Blue been conceived? What new benefit(s) does Pepsi Blue provide to consumers around the world; to Pepsi regional bottlers? How well have the new identity and logo been tested for the global market? Why did they use Bahrain as the test market? Would another country have been a better choice? What objections might Pepsi's local, independent bottlers around the world have to the proposed global rollout of Pepsi Blue? What should Pepsi do to local, independent bottlers around the world who oppose the Pepsi Blue product
From the Paper "The Pepsi Blue program was conceived as a marketing campaign. Its goal was to help rejuvenate the Pepsi image by associating Pepsi with the color blue in contrast with its long time competitor Coca-Cola's use of the color red in its marketing and advertising campaigns. The color blue was intended as another way to distinguish between Coke and Pepsi. Consumers around the world benefit to the extent that they feel they have a clear and distinct choice between Pepsi's product offerings and those of its competitors ..."
Tags: Pepsi Bule case study, Pepsi, new commission and ad campaign
Abstract Blues music has been considered an important and popular music genre in the history of American music. The paper discusses one of the most important and significant characteristics of blues music - the fact that it illustrates double conscience, wherein an underlying meaning can be found explicitly or implicitly in the song's lyrics. Examples of themes are the social and personal experiences of the African-Americans in their lives as slaves of the white American society and as laborers in most Southern cotton plantations. The paper examines how the social and personal relevance of blues music to the black Americans is evident in many works of literature depicting black American slavery such as Frederick Douglass' , ?Narrative of the Life of Frederick Douglass, An American Slave.? The paper also analyzes three Blues songs to show how the theme of double conscience - "Strange Fruit" by Billie Holiday, "No Education" by Lightnin? Hopkins, and "Black, Brown, and White" by Big Bill Broonzy.
From the Paper "Meanwhile, "Black, Brown, and White" by Big Bill Broonzy is a song that generally discusses certain issues about discrimination among people who have different physical colors: the Blacks, Whites, and Browns (or the mulattos, as they are commonly called). Broonzy's song utilizes colors as the primary aspect that distinguishes the privileges that an individual should have. All throughout the song, the line, ?? if you is white/ You's alright/ If you's brown/ Stick around/ But if you's black/ Hmm, hmm, brother/ Get back, get back, get back? is repeated after every stanza, to further reinforce the fact that among the physical differences of people in the world, the Blacks are considered the most unfortunate of all, denied the opportunity to obtain a good job, to receive a high salary, and to enjoy the simple leisure and joys of life. Once again, the song utilizes narrative description as a way to illustrate and extend the message of discrimination to black Americans because of physical appearance and the issue of injustice and unequal treatment among people of their race (African-American)".
Abstract This paper provides a review of Blues music including its history, form and legacy. The paper explains the origins from the American South, where blacks in the early 20th century began to develop the music into its more expressive forms. The paper also looks at the religious influence on blues music, where Christianity plays a big part in the vocals. The principal characters in the blues scene are discussed and the three major forms of the blues are analyzed.
From the Paper "According to ?The Story of the Blues,? "The blues music of the Mississippi Delta has been played and sang since at least the turn of the twentieth century. How long it was played before that is a question that may never be answered. Like spirituals, gospel, and jazz, Delta blues is the music of slaves and former slaves, a group that was thought of as chattel for hundreds of years and whose cultural and artistic progress in America went woefully undocumented" (Bekker, 1994, p. 8). In the spirit of ?daunted is not deflected,? though, music historians have been able to gather some early recordings, interviews and reliable information about the history of the blues."
Abstract This paper explains that, as an aural music, the blues has few absolute features, intending to take on its shape and style during the performance, reflecting the personal response of its inventor to a specific occurrence or situation. The author points out that, like other black folksong, blues' lyrics are rich in imagery; the blues is distinctive for its three-line stanza, an apparent throwback to its African origins because the three-line stanza is uncommon in American and European folksong repertories. The paper relates that blues lyrics were filled with provocative and sexually pervasive imagery, openly addressing both male and female sexuality; the music was performed solo marking the advent of popular culture performances.
From the Paper "Although Handy was the first man to write a blues composition and the first to popularize the blues, two blues pieces actually appeared in print prior to his "Memphis Blues". The "Baby Seals Blues," written by the rag-pianist Artie Matthews, was published in August, 1912, and the "Dallas Blues' written by the white songwriter Hart A. Wand, was published the following month. Handy's blues piece came out three week later, followed by his "Jogo Blues" in 1913, "St. Louis Blues" in 1914, and "Joe Turner Blues" in 1915. In 1915, Matthew wrote another popular blues, "Weary Blues," and that same year, Ferdinand Joseph Morton published his "Original Jelly Roll Blues"."
Tags: ellison, performance, lyrics, morton, sexual
