Abstract This paper details the differences and similarities between the characters of Katherina and Bianca in this Shakespearean play and shows how their characters change throughout the play. It looks at how Katherina begins as a shrew and how Bianca is shown to be exactly the opposite of Katherina and how, by the end of the play, Katherina and Bianca have completely switched places, with Katherina being the modest, submissive wife and Bianca the shrew.
From the Paper "At the beginning of the play we see Katherina as a beautiful and wealthy woman with a high social status like her father, but she is also condemned as being a curst shrew and a devil, and Gremio clearly shows this when, in Act I Scene 1, he says: "Think"st thou, Hortensio, though her father be very rich, any man is so very a fool to be married to hell??. In addition, in Act I Scene 2, he says ?Katherine the curst, / A title for a maid of all titles the worst.? "
Abstract This paper discusses how, in William Shakespeare's "Othello", Desdemona, Bianca, and Emilia, the three main female individuals, are shown in different lights through the usage of both uplifting and demeaning descriptions. It looks at how Desdemona's humble and benevolent character is contrasted greatly against the harsh words used by Othello to describe her, how Emilia's outgoing and outspoken personality is revealed when speaking to both Desdemona and Iago and how Bianca's allegiance to Cassio differs significantly from her darker hypocritical side. It also analyzes how all three female characters reflect their personas through their actions, displaying their emotional outpourings, opinions on controversial issues, as well as their strengths and weaknesses.
From the Paper "The main object of affection is Desdemona, the one woman who is known by all men as the wife of Othello. She is called by Othello "gentle" (I.I.28) as well as "gentle mistress" (I.3.205) by Brabantio. Cassio describes her as "a most exquisite lady" who is "most fresh and delicate creature" (2.3.20, 22-23). Desdemona displays her gentleness through her actions with her father and Othello. She attempts to be diplomatic and faithful to the people she most loves, especially when she is confronted by her father about Othello (I.3.208- 218). She is "bound" to her father "for life and education," showing how loyal and grateful she is towards to her father for raising her as a notable parent. Desdemona also believes that she should take the role that her mother once took by stating that she must upkeep the "duty" by "preferring you (Brabantio) before her father.""
Abstract This paper closely examines gender roles and their effect on relationships in "Taming of the Shrew". The paper discusses the courtship and marriage of two couples, Katherine and Petruccio and Lucentio and Bianca, and shows how Katherine and Petruccio's contentious personalities, and non-traditional courtship leads them to a deeper and more satisfactory union than the more orthodox Bianca and Lucentio share. The paper brings out how conformity to standard gender roles can lead to a relationship based on false ideals.
From the Paper "In Taming of the Shrew, William Shakespeare explores gender roles and their effect on relationships. The play chronicles the courtship and marriage of two couples, Katherine and Petruccio, then Lucentio and Bianca. Initially it seems that Lucentio and Bianca have the ideal relationship and that Petruccio will be miserable with Katherine the titular shrew. This however is not the case. The play exposes the ways in which conformity to standard gender roles can lead to a relationship based on false ideals. While Katherine and Petruccio may not have had a traditional start to their relationship they are honest with one another. In contrast Bianca and Lucentio find themselves in what ultimately appears to be an unhappy marriage."
Abstract Explores the characteristcs of Desdemona, Bianca and Emilia and their status, roles and power within the largely male dominated society. The paper suggests that the male dominated society leads to, ultimately, all three women falling victims.
From the Paper "Othello by William Shakespeare is a play set in Venice at the height of it's powers. There are three significant female characters in the play, Desdemona, Bianca, and Emilia, who are representative of the female gender. Their characters within the play are presented as being victims of their gender, and victims of the male dominated society of the time. They are seen as victims in their treatment, their status and roles and their power within society, and in the ultimate death of two of the three female characters in the play."
Abstract This paper discusses three women in William Shakespeare's "Othello" and their different relationships with the men they love. It looks at Desdemona and her adoration of Othello, at Emilia and her loyalty to the abominable Iago and finally at Bianca as the sensual mistress of Cassio. The paper describes the characters' love throughout the play and looks at the various outcomes of that love.
From the Paper "Cassio, Othello's lieutenant, is a young blade, the dashing, handsome man whom Iago admits has virtues that Iago cannot match. (V:i:18-20) In Bianca, he has a mistress rather than a wife, apparently a prostitute (IV:i:95-96), and while his actions suggest that he is reasonably fond of her (III:iv:167-78), he apparently does not intend to marry her (IV:i:116-117, 120-22, 124-26, 128-30), and while he will try to attend to her when he can (III:iv:176-77), he offers her no assurance that he will give her anything more than a handkerchief he has happened upon. (III:iv:186) When he gives this to her, she is jealous, that this is something from another woman, but there is a youthful innocence and exuberance in her remarks, not the burning rage of Othello's jealousy. (III,iv:178-81; IV:i:147-161) She becomes a tool in Iago's scheming, as he speaks of her to Cassio, while Othello believes that the conversation is about Desdemona. (IV:i:94-144) Although she ordinarily treats love as a mere commodity (Kernan), when she finds Cassio wounded, she seems genuinely concerned for him. (V:i:115-20) Iago turns his malice on her, suggesting she had a role in the attack, which is all Iago's doing. (V:i:85-86, 100-01, 104-10, 116) She recoils at the accusation, but can do little about it. (V:i:122-23)"
Tags: mistress, Iago, Cassio, adoration, character
Abstract The paper shows how "Hamlet" by William Shakespeare and "Krapp's Last Tape" by Samuel Beckett are very different sorts of play, emerging from different theatrical traditions, but they have similar themes within the context of their time and in their own style. The paper discusses one theme which is addressed in both - the theme of order versus disorder. It shows how each play finds the main character facing a state of disorder and the desiere to restore order.
From the Paper "It may be more difficult to see the conflict in a play like Beckett's Krapp's Last Tape, which has only one character, but conflict can also be developed within one character warring with himself or between the single character and the audience watching him or her. Conflict is inherent in the vocation of attitudes, ideas, characters, and situations, and it is not possible to have a drama without any of these elements and so it is impossible to have a drama without conflict. As noted, there is only one character on stage, though the voice of the same man from many years before might constitute a separate character, heard only on a tape recorder."
Abstract The paper shows that the play "Taming of the Shrew" is a classic Shakespearean comedy in every sense in that it is not only funny and amusing for the audience, but also it contains themes they can connect with such as love and beauty. It shows that in Shakespearean Comedy, a shallow, often narcissistic type of love at the start is not only grounded too heavily in "beauty" of the conventional sort, but also leads to a mistaken notion of what beauty really is.
From the Paper "Love of course is a central theme in the play, but from the first, Shakespeare shows this is not your "typical" love match. "At times Petruchio behaves like a bully and a brute, and his tactics with Katherine can be read as gratuitously severe and prolonged tormenting of her" (Brown, 1995, p. 286). Kate does not want to marry, and Petruchio seems to be more interested in the lands he will acquire than specifically in Kate's hand. Yet, he sets out to tame her, and is taming her, he falls in love with her."
Abstract The paper shows that despite the fact that a woman ruled England in the time that William Shakespeare lived, the place of women in renaissance society was limited to specific rules and limitations, guided by lessons of virtue and demure conduct. By examining Kate in Shakespeare's "The Taming of the Shrew", the paper discusses how she represents the way women of her temperament would be treated in Shakespeare's era - she would be broken of her waggish ways and learn decorum, humility and essentially her lowly place.
From the Paper "While people today are allowed a greater range of acceptable personality traits in Shakespeare's time, there were greater limits place on how one manifested him or herself in the world; however the restraints placed on people doesn't mean that different personality types didn't emerge. As we know from modern psychology, personality is developed as a way to meet ones needs and despite how society might wish to limit expressions of those needs, personalities will develop independent of our best effort to control them. Women in seventeenth century England were not all of one mind or of one action. And that showed throughout Shakespeare's work."
Abstract This paper examines both what he says about women in general and about some women in particular (i.e. Desdemona, Emilia, Bianca, and Venetian women). Discussed are what he does to women and shows how these contribute to his attitude, also answered is the relationship between this attitude and his desire for revenge.
Abstract Through his comedies, William Shakespeare was able to address many taboo subjects in the name of entertainment. His comedies provided him an avenue to express marginalized voices that were sometimes muffled in Renaissance society. This cannot be truer for the voice of women. This paper shows how, in his plays, "The Taming of the Shrew" and "A Midsummer Night's Dream", Shakespeare gives voice to strong women who refuse to become victims of society. Kate is what we would call a strong-willed child with a mind of her own, with no fear of expressing her opinions. Despite the mistreatment she endures in the play, she emerges a winner for many reasons. The paper shows how, similarly, Hippolyta and Hermia demonstrate independence uncommon to their female counterparts. These women illustrate that true love is its own reward in any age.
From the Paper "Both sisters are playing a game of sorts. Kate is a shrew and cannot be manhandled while Bianca pretends to be the image of feminine sweetness. Bianca is revealed to be the true manipulator because she does not follow the demands of her husband. In the end, we come to appreciate Kate for her genuine character as opposed to Bianca's fraud. Margaret Ranald believes that "Katharina's liberated spirit remains unbroken, but that she has learned the value of realpolitik not only in marriage, but also in the even wider world of sociopolitics" (Ranald 1994). However, when we observe the entire action of the play, we can only surmise that Shakespeare is supporting the role and voice of the independent woman of his age."
Abstract This paper examines how, through symbolism, allusions, and dialogue, Shakespeare reveals his attitudes concerning love, marriage, and gender roles in 16th-century society in his play, "The Taming of the Shrew".
From the Paper "One of William Shakespeare's best-loved comedies, The Taming of the Shrew takes audiences on a rather comprehensive journey through Renaissance social culture. Though the courtship between main characters Petruchio and Katherina is far from typical, it does offer insight into not only the customs and attitudes of Europeans in general but those of Shakespeare himself. Shakespeare seems to hold the same opinions as those of most men of the late 1500s?that love is generally very superficial and based on physical attraction; that marriage closely resembles a business proposition; and that women are nothing without their husbands or fathers to whom they must submit. Through literary devices ranging from witty dialogues and impassioned speeches to plentiful allusions and creative symbolism, Shakespeare reveals his attitudes concerning love, marriage, and gender roles in sixteenth-century society."
Abstract According to Bianca Jagger's "Why A War Against Iraq Would Be Illegal," the United Nations established only two cases in which force can be used between nations. First, if a country is seriously threatening or has attacked another. Second, if one country is such a serious and proven threat to the world, the Security Council will pass a resolution allowing the international community to use force against that country. The paper argues that neither of these two cases applied to the situation in Iraq, highlighting that the use of force in this particular case was not justified. Although the supporters of force in Iraq argue that this strategy was taken for the sake of peace and security, facts illustrate that force was not the only option to remove Saddam Hussein from power, that the war has led to the destruction of normal life in Iraq, and that the goal of force for democratization has rarely had positive outcomes. The paper argues that the use of force in Iraq was unjustified from the start, with the consequences of the war providing additional support for the argument against force.
From the Paper "If we really think seriously about the cost that the use of force has had upon the ordinary citizen of Iraq, we find that it destroyed their lives. They do not have the option of protection from criminals and from terrorists, or access to regular heath and education services that they had under Saddam Hussein. The decision to use force in this case did not liberate the Iraqi people like the United States claims that it has done but, as Elliott stresses, has made life even worse for them than it was under Saddam Hussein. This use of force did not simply remove a government but it took away the whole basis that normal everyday life is created upon, leading to great suffering until the country is rebuilt, from electricity services to a police force that can protect the people against criminals."
Abstract This paper discusses Shakespeare's "Taming of the Shrew". The paper examines the play's patriarchic themes, such as the taming of wild women, a man's domineering character and female subjugation. The paper contends that while many critics feel that the play chronicles the domination process in a marriage where Petruchio, the male lead finally overpowers his wild and aggressive wife, Katherine Minola, closer analysis of the play reveals that this is not exactly true. The paper claims that the play actually deals with the issue of equality of power. The paper states that this play presents a mockery of wife submission norms in English society of 17th century rather than an approval of the same.
From the Paper "Kate who was very wild and rarely ever submitted to anyone was dragged into a marriage against her wishes. One wonders then, how and why did she ever let her father take this action if she was actually so outspoken. We must understand that while she didn't have much choice in the case since it was a time when arranged marriage customs were rife her behavior earned her the right and respect that she deserved. This is very clear when we read the betrothal scenes of both Kate and Bianca and compare them to each other. In Kate's betrothal scene, her father Baptista, makes it absolutely clear that he wants Pet to win her daughter's love before he could hope to have her money while in Bianca's betrothal scene, she is objectified as Baptista feels he could hand her over to anyone he found suitable enough. "
Abstract This paper examines how although they are both comedies revolving around the same basic plot of the older sister and her shrewish ways being calmed down on a bet by a money or status hungry stranger , Shakespeare's "Taming of the Shrew" and "Ten Things I Hate about You" differ dramatically in the level of importance they deal with in the sincerity of wooing and romance. It looks at how although it adopts a brittle, harsh, and ironic tone at times, "Ten Things I Hate About You" ultimately validates common assumptions about teenage romance, the wisdom of adults, and solid social values that keep teens in their place in a truly based adult world. In contrast, it shows how Shakespeare is more ironic, crueler, more violent and complex in his definition the battle of the sexes.
From the Paper "The authority figures are more interested with intelligence and power in the film, but the other minor figures are weak in their intelligence and their wisdom. One of the most striking turns in the film is the character of Bianca. In Shakespeare, Bianca puts on a perfect performance of gentility and angelic the perfect daughter, until she is married. The audience sees her abused by her sister; in a way Petruccio will later abuse Katherine. "Good sister, wrong me not, nor wrong yourself, /To make a bondmaid and a slave of me;/That I disdain: but for these other gawds, /Unbind my hands, I'll pull them off myself, /Yea, all my raiment, to my petticoat;/Or what you will command me will I do, /So well I know my duty to my elders." (2.3) It is difficult to imagine Bianca Stratford being so accomodating to Kat at anytime. Only after marriage, does Shakespeare's Bianca's true "headstrong" spirit emerge. "
Abstract This paper presents a brief textual analysis of the second chapter of Horace Walpole's "The Castle of Otranto". Beginning with an introduction of the passage and a resume of the events, the paper focuses on explaining the major lines of tension established in the work, with a brief reference to every character involved and an example of Walpole's theatrical effects. The paper contains examples from the text and some quotes from critics.
From the Paper "Matilda and Theodore become, from that very passage on, interdependent. Theodore is not persecuted for his virtues and does not suffer because of his sincerity. On the contrary, he is an innocent victim of the consequences of events beyond his control, just as Matilda will later become the sacrifice for her father's evil indifference. Theodore consciously moves from exile to isolation (he claims "May she be happy, whatever becomes of me!") and the same thing is true for Matilda - her feelings are "treated as womanish panic", she is at once "ordered to be carried to her apartment". Her helplessness in the face of her father, interested only in the preservation of his descendants, has more power than Manfred's "harsh injustice", his "force", his "rage", his "vain curiosity" and his "wrath". And in that, she is just like Theodore who, no matter how much humiliated, seems a stronger and more sensitive character."
