Abstract In this article, the writer argues that although Portia's nature is perceived as saintly and kind, in truth she is a sinner. The writer maintains that while she conceals her sinister nature, portraying herself as God's gift to mankind, having no access to her free will, she utilizes her wit and therefore reveals her true nature as a sinner. The writer further maintains that, even though Portia is portrayed in a saint like manner throughout the play, underneath her facade lies a resentful, indignant Portia, explicitly concerned with the idea of free will. The writer concludes that Portia struggles with the fact that she is unable to choose her own husband, must act accordingly, concealing her genuine nature and must disguise herself as a gentleman to employ her intelligence.
From the Paper "While Bassanio claims his love for this renowned maiden, there is no indication that he has ever met her. Therefore, one must assume that Portia's reputation as virtuous, demure, honorable and desired, made way throughout the immediate area of Venice. Must Portia present herself as virtuous and desirable in order to fulfill her father's legacy? Will she reveal her genuine rebellious nature once she is claimed by a suitor?
"In honor of her father, Portia stays true to her legacy and willingly gives herself up to any suitor who correctly chooses the casket that holds her portrait. Even for the sake of Bassanio, the suitor she fancies, Portia would not break her oath. This is very honorable of her. However, Portia's true incentive is to present herself as a virtuous and righteous woman. In the secrecy of her home, she mocks the suitors, all of whom are foreigners; an immature manner of rebelling against her legacy."
