A reflection on an article by Pamela S. Haag "'The Real Thing': Ideologies of Love, Modern Romance and Women's Sexual Subjectivity in the United States, 1920-40".
Written in 2008; 1,415 words; 5 sources; MLA; $ 47.95
Paper Summary:
This paper argues that the ideological point made in Pamela S. Haag's article "'The Real Thing': Ideologies of Love, Modern Romance and Women's Sexual Subjectivity in the United States, 1920-40" is correct. The author points out that Haag is saying that the subjective self is not an independent construct, but rather reflects the choices available in the surrounding political and social discourses. The paper claims that this becomes apparent when considering the world as a whole and the dominance of the capitalist discourse. The author stresses that fortunately discourses do change, which is abundantly clear when considering how women heroes have been warmly welcomed recently in popular films and television texts. The paper underscores that these female heroes are opening up new vistas of subjective possibilities for girls and women.
From the Paper:
"For example, 1979 saw the arrival of the first popular female action hero, as Sigourney Weaver (playing Warrant Officer Ellen Ripley) bravely confronted terrifying alien creatures in the hugely successful science fiction film, "Alien". Then Ripley came back and kicked more alien butt in 1986, and again in 1992, and even rose from the dead to do it one more time, in 1997. And in this fourth reprise, Ripley's significant other (or close approximation thereof) was a female robot, played winningly by Winona Ryder."
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