Abstract This paper presents an overview of the artwork of Andy Warhol. The paper begins by defining Warhol's work as original and creative. The writer then offers some background on the artist, including details of his family, education, and upbringing. The paper explains how Warhol instituted the art form known today as pop art.
From the Paper "Warhol received his education at the Carnegie Institute of Technology in Pittsburgh from 1945 to 1949. Subsequently, he moved to New York where he began working as a commercial artist for newspapers and magazines. Even his early worked showed sign of originality and are described by Mark Livingstone as "charming and often whimsical in tone, typified by outline drawings using a delicate blotted line that gave even the originals a printed appearance" (Livingstone). It was his shoe advertisements for Miller and Sons that were noticed and admired, which help him earn major awards from the Art Directors Club. (Livingstone) Warhol continued his commercial work but was determined to establish his name as a painter."
From the Paper "While it may be debated for years to come if the term auteur belongs to Hitchcock, it will never be debated that he was a genius in his own right. And if being an auteur means that one exerts much control over his films, it is impossible to contradict the fact that Hitchcock, did indeed, show an unprecedented amount of control in each of his films. If the argument is to be sound, a closer examination of the meaning of auteur might be recognized.Hitchcock was a genius of film and art. His work was revolutionary and gave inspiration to many other filmmakers. His unwavering discipline of creating the best works proves him to be one of the best filmmakers in history. No doubt, his work will be debated and discussed for centuries to come. "
Abstract This paper argues that, in writing "Musee des Beaux Arts", Auden, chose to write about the painting because it captures one of his central themes of the suffering and unfeeling attitude in everyday life. By analyzing "Musee des Beaux Arts," we can see how Auden uses imagery, language, and the classical theme of the fall of Icarus not only to communicate his theme, but to discuss Brueghel's painting.
From the Paper "Auden's use of the Icarus image and of the work of Old Master Brueghel show classical style, but the poetic form of "Musee" is not classical. He uses two unequal stanzas and a varied rhyme pattern that was uncommon in his era. He opens the poem with a reference to the Old Dutch Master painters of the 16th century, of which Bruegel was a member: "About suffering they were never wrong, / The Old Masters: how well they understood / Its human position..." "
Abstract This paper discusses the Calyx-Krater vase found at the New York Metropolitan Museum of Art. The vase's depiction of a scene and ideas from Homer's "Iliad" is the focus of the paper. However, the history and coloring techniques of Greek vases are also discussed in detail. Illustrations are included with the paper.
From the Paper "One of the best sources for Greek Mythology is the paintings on Greek Vases. Stories of the gods and heroes are retold again and again in this medium, providing a two dimensional visual reference for the legends. Scenes showing the action of Homeric poems were common, as well as scenes depicting the ideas put forth in these writings. It is the scene of Sarpedon's death that is depicted, yet it is the idea of a hero's death that is inferred on the Calyx-Krater of the Metropolitan Museum."
Abstract A critical analysis of contemporary art. The author focuses on Georgia O' Keeffe, a postmodern artist and examines her postmodern ideas about culture and gender that she communicates through her use of style, color content and artistic context.
From the Paper "Art represents human construction. Moreover, it is a mode of communication because its? meaning resides in encounters between an audience and an artifact. As such through her art, American painter Georgia O"Keeffe communicates not only the post-modern time in which she constructed, but also the cultural and gender influences that affected her color content and overall artistic context. In focusing upon the latter works of the prolific artist Georgia O"Keeffe one robs oneself of some, if not all of the formative aspects of her long and illustrious career. Particularly significant is that from 1950 forward to her death at 98 in 1986, not only did her health begin to fail her but her most precious gift ? that of her amazing eyesight ? robs this amazing artist of the very opportunities of expression she sought after the death of her husband in 1946."
Tags: art, painitng, picture, style, content, color
Abstract An analysis of Picasso's "Guernica". The author examines in detail the story behind the "Guernica" as a painting that sprang from the time of the Spanish civil war. A look at the use of symbolism and themes.
From the Paper "Throughout the past few decades, there have been many famous works of art in painting, sculpture and architecture. The painting Guernica, which was created in 1937, by Pablo Picasso, is still considered today to be one of the most famous works of art throughout the twentieth century."
The paper compares and contrasts two versions of Mary with Child mosaics styles. The author pays special attention to historical and cultural influences on their artistic styles.
1,280 words (approx. 5.1 pages), 2 sources, 2002, $ 43.95
Abstract This paper compares and contrasts two mosaics depicting Mary and Jesus-one medieval, the other Byzantine. The author discusses their stylistic differences, the severity and stoicism versus warmness and emotion, and examines Christianity as seen through religious art in both societies.
From the Paper "The Medieval era produced many important art pieces ? many of which contained reference to religious figures. Because religion did, in fact, play such an important role in everyday life, religious art abounded throughout Europe . However, depending upon the area of the continent and which religion its inhabitants believed in, artists portrayed similar religious scenes in varying ways. In particular, Byzantine and Medieval pieces contained identical figures or scenes portrayed in very different ways due to the respective religion's influence on the artist. Comparison of two mosaics depicting Virgin and Child will show fundamental stylistic differences between Byzantine and Medieval art."
This paper looks at the mythology behind the ancient Egyptian icon, the Sphinx, her role as fierce protector, and sacred guardian of the Great Pyramid.
1,150 words (approx. 4.6 pages), 7 sources, 2001, $ 39.95
Abstract This paper examines the legends and historical revolution, and characteristics of the Sphinx, ancient Egypt's protector from outsiders. The author discusses how the creature defined Egyptian civilization, how it would terrorize outsiders with her famous riddle, and how she was revered by Egypt as a sacred figure.
From the Paper "When we think of Egyptian art we immediately think of the monumental pyramids and inscrutable sphinxes, Shaw-Eagle 1999. Ancient Egypt has fascinated outsiders ever since Herodotus, the fifth- century-BC Greek historian, visited a civilization already thousands of years old. And the artistic splendors that captivated him -- the Great Pyramids, Sphinx and statues of the Old Kingdom , 2650 to 2150 BC -- still define Egyptian civilization in the Western mind. A monument for the Sphinx is found at Tanis in the form of the Large Sphinx. Made from pink granite it depicts the Pharaoh with a lion's body. Sphinx in Greek showed a sort of monster, and in Egypt they represented the protection for the passages in religious buildings."
Abstract This paper examines two of the most important school in art and literature, that of Romanticism and Realism. The author discusses how although these schools tend to be assigned to certain specific and bounded moments in history, in fact the impulses toward the Romantic and the Realistic run throughout human history and across the cultural landscape.
From the Paper "Realism as a style in art and literature attempts to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life in an objective and unidealized way. Attempts at realism have been made periodically throughout history in all the arts, however the term is usually applied to a movement that began in the mid-19th century that was a direct reaction to the highly subjective approach of romanticism. Realist artists as a group exhibited a profound sense of social consciousness and a high degree of commitment to addressing the political problems of their times; this was also in contrast to the Romantics who often sought to escape the problems of their day and who felt too alienated to try to intervene in the political process."
Abstract This essay takes a look at the definition of art. It discusses the purpose of art throughout the ages. The works of Monet and other Impressionists are examined and contrasted with the later work of Alfred Gockel. The impact of society on art as well as art on society is highlighted.
From the Paper "What is Art? Every person has a philosophy of art, or at least a definition. There is no correct answer, just an opinion, and for every person there is an individual opinion. Thus there are over 6,234,250,387 opinions on what art is. Throughout the ages, Art has been a form of recording history, expression oneself, immortalizing people, gods, landscapes, and depicting beauty in countless ways. Art is perceived differently to all, as the old adage states "Beauty is in the eyes of the beholder". Certain Art Forms are appreciated by some, and rejected by others. "Art is the creation of works that are in form, content, and execution, aesthetically pleasing, and meaningful, as in music, painting, sculpture, literature, architecture, dance etc" states the Webster's Dictionary. What many definitions forget to leave out is emotion. As with almost any piece of art, the artist's raw emotion goes into it, the creation of the work is often a result of dealing with a life crisis. For some a diary lets out their build up of emotion, for artists, it's their hands."
Tags: design, photography, lithograph, beauty, Manet, Pissarro, Auguste
Abstract This paper examines a few art forms and details the influence of religion and the Bible on them. Dante and Chaucer's literature is mentioned, and examined for its use of deity and religion. Many Italian artists are mentioned regarding the way they used the Church as a showroom for their talent.
From the Paper "Around 500 AD, western civilization began to emerge from the period generally known as "The Dark Ages", the time when invading hordes of Vandals, Huns, and Visigoths overran Europe and brought an end to the Roman Empire. For the next centuries, the newly emerging Christian Church would dominate Europe, administrating Justice, instigating Holy Crusades against the east, establishing Universities and generally dictated the destiny of music, art and literature. From the Crusades and other sources the Europeans came in contact with the Arab culture, which has preserved the works of Greek authors, whose writings did not survived in the Europe. Philosophy, science and mathematics from the Hellenistic period were assimilated into the tenets of the Christian faith and the prevailing philosophy of Scholasticism. St. Thomas Aquinas to the Christian doctrine adopted Aristotle, who was long considered to be a heretic. Christian values dominated the scholarship and literature, especially the Medieval Latin literature, the influence of Christian faith was also dominated in the German literature and Middle English literature ."
Abstract This paper discusses Ringgold's background and her work. In addition to other media, she uses quilting as an art form to tell stories that show the difficulties of being black and a woman. Through her canvas and quilts, she has made lasting changes in the worlds of black women artists and folk art. Her work is shown in galleries and exhibitions all over the world.
From the Paper "Ringgold was born in New York City on October 8, 1930. She grew up in Harlem. Her mother, Willi Posey Jones, was a fashion designer, and when Ringgold was young, she spent a lot of time at home, watching her mother work. She learned how to sew from her mother, and learned about working with different kinds of fabrics, and about drawing. The family was poor, but they were very interested in art and culture, and often took her to local museums. She grew up with people in her neighborhood like Duke Ellington and Ella Fitzgerald, who influenced her in black culture and what blacks could accomplish."
Abstract An examination of the Impressionism Movement and various well-known impressionists. The paper looks at the influence each artist has had on the artists that have followed and how the Impressionists set into motion the idea that artists should follow their own ideas and develop their own unique techniques. The author uses a number of painting images in this paper.
From the Paper "It is impossible to imagine walking into an art gallery today, and not being shown pieces belonging to such breakthrough artists as Claude Monet, August Renoir, or Paul C?zanne. The influence that such artists had on their society, their generation, and the many generations to follow is immeasurable. Impressionist painters were seen as rebels, or radical in that they broke many of the rules regarding painting of the time. The fact of the matter is that as the impressionism movement continued, a new class of radicals sprung up, finding alternative methods of painting in direct correlation to a somewhat negative reaction to the constraints of impressionism. From these two revolutionary movements, however, have come some of the finest pieces of artwork, along with the founding fathers of what modern art has evolved into."
Tags: art, monet, cezanne, van, gogh, renoir, impressionist, paint, influence
From the Paper "Donatello's bronze David (c. 1430) and Michelangelo's marble David (1504) are, nominally, treatments of the same subject. Yet -- considering the fact that both drew on the same iconographic tradition, were made within seventy-five years of each other, were created in Florence and credited with political meanings, and were important landmarks in the influence of classical art on the Renaissance -- it would be difficult to imagine two sculptures that were more different. A comparison of these two works will demonstrate how the sculptors made iconographic choices suited to the functions of their statues and how each man took a different approach to the integration of the antique into his style."
From the Paper "Wassily Kandinsky's Untitled Improvisation III (1914), a work owned by the Los Angeles County Museum of Art, was done in oil paint on cardboard. The painting measures approximately 25 by 20 inches. This work is one of a series Kandinsky painted in the first years of his experiments with purely non-objective art. Kandinsky theorized about abstract painting and Untitled Improvisation III can be studied with reference to his theories about color and spirituality in art.
Kandinsky was born in Russia in 1866. He became a lawyer and it was not until he was thirty years old that he gave up a career as a legal scholar to become a painter. In 1896 he moved to Munich to take up his new career and, with trips to Paris, became familiar with the current trends in painting. In 1907 he exhibited with the early German expressionist group Die Brucke (The Bridge). Sometime between 1910 and 1912 he painted his first non-objective work--a watercolor."
