Abstract This paper discusses a Greek stele dating back to the Early Hellenistic Period (about 300?250 B.C.) which depicts various divinities, the ship of the Argonauts and diplomatic text. The paper explains the shape of the stele and discusses the meaning of the text against the background of Greek history, specifically the Peloponnesian Wars. The paper also explores the importance of the dieties depicted on the stele, in relation to the gods and legends of the time period.
From the Paper "In analyzing and interpreting the text, it is safe to assume that Timeas of Laconia is being given the authority to serve as proxy for the Boiotians. The word "proxenos" is so close to the English word ?proxy,? meaning someone who has the authority to act on behalf of another, that is nearly impossible that this could be a misinterpretation. Furthermore, this authority will pass on, presumably indefinitely, to his heirs.
Ergoteles, who apparently was in power when this decree was issued, was archon. An archon was a chief magistrate in ancient Athens; that is, a local official exercising administrative and often judicial functions. Therefore, it was Ergoteles? responsibility to make sure that not only was this decree carried out, but also that it was enforced."
Abstract This research analyzes topics related to gender in ancient Greek playwright, Aeschylus' "Oresteia" trilogy, comprising the plays "Agamemnon", "The Libation Bearers" (Choephoroi), and "Eumenides". The relevance of gender-specific themes that emerge in the plays are discussed.
From the Paper "The importance of engendered social roles is important to the action of the Agamemnon, although as Kitto points out, the play by no means makes clear that Aeschylus shares any particular social values articulated by the characters in the play. In any case, Clytemnestra literally plays the homebody, offering Agamemnon fulsome and public praise upon his appearance, fussing at her women to facilitate his grand entry into the palace. In words that drip with irony, she calls for justice to "lead him to a home unlooked for. The rest my care that never sleeps will order justly" (Ag. 21). Olson says that despite her wickedness, "it is impossible not to respect her, not to admire her.""
Abstract This paper examines how in his play "Agamemnon", the Greek playwright Aeschylus offers a character study of a complex woman, Clytemnestra, the wife of Agamemnon, the Greek ruler who conquered Troy. It looks at how when considering the characterisation of Clytemnestra provided in the "Agamemnon", many have made a comparison to the much weaker and insignificant character presented by Homer and how unlike Homer, Aeschylus creates a strong version of this character, a woman who manipulates the will of men in order to get what she wants. It discusses her duplicity and the complexities of her character, her strong character portrayal and the fact that she was a powerful women of her time.
From the Paper "She stands firm in the continued celebration of a war finally won and stands in opposition to the warnings of the chorus about celebrating too soon. This is a form of action on the part of Clytemnestra. This action speaks volumes as it gives the audience great insight into her strength. The Chorus did not believe what Clytemnestra had told them; rather they had a typical male view of her and seemed to think she was just being a weak hearted person who is blinded by her longing for her husband. The image that the Chorus has of Clytemnestra was very different from the type of woman she proved herself to be at the end of the play. She emerges a stronger person because in comparison to Agamemnon she tends to dominate, thus showing the reversal of roles between herself and her husband."
Abstract This paper is about "The Oresteia" by Aeschylus. It asks whether justice is ever achievable, and who defines "justice". The paper asks: How do questions of justice draw in issues of fate and human will?
From the Paper "In The Oresteia by Aeschylus the ancient law requires that blood must be paid for with blood in an unending cycle of doom. The idea was that nothing can wash away a bloodstain except for more blood. Many years after king Agamemnon's murder by his wife Clytamnestra with the help of her lover Aigisthos Agamemnon's son Orestes returns surreptitious to his home in Argos to visit his father's grave. He has returned to Argos on a mission he has been sent by an oracle of the God ..."
Tags: The Oresteia, Aeschylus, Agamemnon, Argos, Apollo, siege of Troy, Justice, revenge, the rule of law
Abstract This paper examines the topic of rage in Aeschylus' "The Oresteia", a triad of plays that chronicle the downfall of the royal house of Argos. The paper focuses on the role that rage, as a psychological phenomenon, plays in facilitating the dramatic and tragic action and consequences that characterize this play. Specifically, the author focuses on the character of Clytemnestra."
From the Paper "Psychologically, we can think of rage as being a kind of all-consuming anger that facilitates and encourages irrational behavior. A person enraged is likely to do things that are not in his or her own best interests and which can have far-reaching consequences beyond the immediate, visceral pleasure of satisfying the rage. This is evident in Aeschylus' The Oresteia, specifically in the character of Clytemnestra, whose enraged actions in the play Agamemnon create significant ripples that fuel the drama and tragedy of that play as well as the following two of the triad. Rage is the basis of Clytemnestra's actions; her rage is the catalyst for the death and carnage that follows."
