Abstract By examining the "Annals of Tacitus", the paper establishes where Tacitus' sympathies lay and how these feelings colour the text irreversibly with regard to the reign of the notorious Emperor Nero. It explains why these opinions were formed and how far he is likely to have worked with the methods of a modern historian. It discusses the "literary" feel of the writing and the effects this has, but also evaluates Tacitus by the standards of a modern historian.
From the Paper "The reign of the notorious Emperor Nero comes last in the Annals of Tacitus, with the final part of his reign missing. In this final section of the Annals, Tacitus charts the downfall of the young emperor, from his beginnings as a young man ("still almost a boy") surrounded by manipulative advisers and relatives to his eventual, violent demise as an extravagant, tyrannical madman. The story of Nero's reign is skilfully written in Tacitus' trademark "silver Latin", and quite entertaining. However, it is important to note that Tacitus can scarcely be considered an historian by today's stringent standards, since he does not evaluate source material to give a fair and balanced view of the period of Nero's reign."
Abstract The author discusses Ancient Egyptian art as an expression of religious devotion and belief, arguing that the monotheistic revolution spearheaded by Akhnaton led to an artistic revolution.
From the Paper "The civilization of the Ancient Egyptians, encompassing art at its very core, was one borne out of religious and cultural beliefs and values. According to numerous art historians, archeologists and Egyptologists, within the context of Ancient Egyptian culture and religion, art was not a luxury or a pastime but, as Leslie A. White states, part and parcel of Ancient Egypt and its religious framework (91-92). Dietrick E. Thomeson explains this view even further, arguing that the fusion between art and religion was such in Ancient Egypt that it was the first, and one of the very few, if not only, countries in history in which artists and architects were state employees and bureaucrats. In other words, artistic endeavour was in a permanent and ongoing state of activity and the bureaucratic form that it assumed, allowed for the continuation of that activity insofar as it ensures the constant planning of projects and their execution. However, while that bureaucratic form, on the one hand, and the religious nature of art, on the other, kept Ancient Egypt artistically rich, it ensured a static form to art, preventing development, evolution and change."
Abstract This paper examines the extent to which, within the ancient Egyptian worldview, art was a religious endeavour and expression. It looks at how Akhnaton's redefinition of religion had a profound impact on ancient Egyptian art, injecting it with a degree of realism never before seen.
From the Paper "The civilization of the Ancient Egyptians, encompassing art at its very core, was one borne out of religious and cultural beliefs and values. According to numerous art historians, archeologists and Egyptologists, within the context of Ancient Egyptian culture and religion, art was not a luxury or a pastime but, as Leslie A. White states, part and parcel of Ancient Egypt and its religious framework (91-92). Dietrick E. Thomeson explains this view even further, arguing that the fusion between art and religion was such in Ancient Egypt that it was the first, and one of the very few, if not only, countries in history in which artists and architects were state employees and bureaucrats."
An examination of the "Elgin Marbles", ancient Parthenon figures that were claimed by British archaeologists in the 18th century during Greek civil strife, and the debate over whether or not they should be returned to Greece.
Abstract This paper examines the controversy that exists over the "Elgin Marbles", which were originally part of the Greek Parthenon's frieze, that were taken by Lord Elgin of England in the late 18th century. The paper takes the position that the statues and other artifacts which currently are housed in English museums, are the rightful property of the Greek people and should be returned to Greece. The paper is divided into several sections. The first gives a history of the Elgin Marbles and how they came into possession of the English in the first place. A brief history of the Parthenon is also given in this section, with a detailed examination of the architecture and the ancient politics that surrounded its construction. The paper then spans the history of the Parthenon up until the 18th century, including the building losing its roof and several architectural designs due to the Ottoman Turks using it as an armory during their control of Greece. The paper discusses how British archaeologists claimed the pieces in the 1800s, fearful that the Greeks could not maintain such classical pieces of work. The paper ends with a section discussing the latest improvements that are underway in Greece to house the "Elgin Marbles" if an international agreement can be reached that will send the pieces of the Parthenon back to Athens. The concept of Greek pride and honor in their ancient ancestry is discussed and how originally, when Greece was unable to maintain such pieces, the idea to keep them in England was the correct decision to be made.
From the Paper "The mere thought of The Parthenon evokes an image of dignity and pride for not only the current Greek citizens who look upon their ancient ancestors with honor, but for the entirety of Western civilization who view The Parthenon as a representation of the greatness that can be achieved by Western culture. Using this Western concept of pride as a basis, it is clear to see why the British government has its roots in claiming that the treasures of the Parthenon would be better served in a more upscale environment such as The British Museum rather then an unfinished Acropolis museum in Athens. Nevertheless, the removal of The Parthenon artifacts, which are known as The Elgin Marbles since the works of art were "purchased" by the English noble Lord Thomas Bruce of Elgin in 1801, was in essence an infraction upon the Greek populace's right to their ancestors' culture. In large part due to the importance of The Parthenon and the culture that it represents to Greece, the rightful place of the Elgin Marbles is in Athens where the pieces of architecture were always intended to remain when they were completed. "
Abstract Civilizations throughout the years have dealt with disease and illness in numerous ways. This paper examines the ancient Egyptians and determines how they practiced medicine during their time and how it relates to modern medicine. The paper also examines the materials or tools involved in their medical practices, major medical discoveries and methods used by physicians to heal patients.
Introduction
Discoveries
Practises of Medicine
Physicians and Priests
Embalming and Autopsies
Rituals
Magicians
Keeping Records
Important Documents
Understanding the Body
Medication and Treatments
Diseases
Holistic Treatments
Tools
Herbal Medicines
Conclusion
References
From the Paper "Ancient physicians prescribed many remedies that are still in use today. Then, as now, honey and milk were used for the irritation of the throat and respiratory infections. The physicians also knew how to "use suppositories, herbal dressings and enemas and widely used castor oil (crystalinks.com/egyptmedicine.html)." Medications were used to treat Egyptians suffering from a parasite which attacked the urinary tract, and this parasite still plagues the Egyptians of today."
Abstract The Silk Road, the ancient 4,000 mile caravan route, was used primarily for trade and linked East to West, from China to Rome. This paper covers the nearly 2000 years of history of the Silk Road, which served the world's four main civilizations from approximately 500 B.C. to 1500 A.D. as the major highway for transporting material goods and knowledge between Europe (till Rome), the Near East, India, and China.
Paper Outline:
The Geographical Setting
The Silk Road
Travel of Ideas and Techniques
Music of the Silk Road
Bibliography
From the Paper "The Silk Road - a network of trade routes that connected East Asia to the Mediterranean--was the main conduit for the spread and exchange of goods, ideas, religions, and cultural elements among the many peoples of Eurasia. Along it, Buddhism spread from India to China, Korea, and Japan; Islam from the Middle East to the subcontinent and Southeast Asia; Christianity--particularly Nestorian Christianity--to the Far East. Not only silk and spices but paper, printing processes, gunpowder, the magnetic compass, and prized ceramics and laquerware flowed westward, while glassware and gold and silver metalwork flowed eastward. Developments in mathematics and the sciences--as well as in art and music--coursed back and forth, building upon each other. The legacy of the exchanges enacted along the Silk Road from about 500 B.C. until A.D. 1500 permeates cultures in both East and West to this day."
Abstract The Australopithecines constitutes a group of extinct hominids that are closely related to humans. The Australopithecines were believed to be bi-pedal organisms, making them an integral link in the chain of evolution leading to modern man. This essay explores the evolution from ancient primates, to bi-pedal australopithicenes, to modern man. It includes several cited sources.
From the Paper "The word "hominid" refers to "any of a family (Hominidae) of erect bipedal primate mammals comprising recent humans together with extinct ancestral and related forms" (Merriam Webster). Hominids are included in the super-family of apes, the Hominoidea, in which the members are referred to as hominoids. Though the fossil record of hominids is currently fragmented and incomplete, there is enough material present to provide a healthy sketch of the evolutionary history of homo sapiens. Inasmuch as the Australopithecines were "bipedal primate mammals," they can be classified as ancient hominids (Merriam Webster). Many changes in the physical environment contributed to the evolution of these early humans."
Abstract The great Aztec civilization was so foreign and so utterly isolated from other world civilizations, that, when the Spanish conquistadors first saw it, their emotions were a mixture of awe and horror. They were awed by the artistic, technological and social advances they witnessed; but they were horrified by their pagan ways, the human sacrifices and the cannibalism they saw. This paper examines the origins of the Aztecs, and examines this civilization in terms of mythology, agriculture, craft and religion. It also traces the destruction of the Aztecs by the Spaniards in the 16th Century.
From the Paper "As limited as the land devoted to producing maize was, animal sources of nutrition were even harder to come by. "Dogs, turkeys, and the Muscovy duck were the only domesticated animals in ancient Mesoamerica. All were used for food, but they made only a minor contribution to the Aztec diet." (Smith 2003:63). This situation is most closely analogous to the rice crop of eastern Asia, and contrasts sharply with the ancient West, where numerous animals were domesticated on a large scale for the purposes of nutrition. By virtue of their dependence upon maize, the Aztecs developed some of the most advanced farming techniques in the world."
Abstract This paper examines life in ancient Egypt by providing information on different aspects of this fascinating time in history. The paper examines the architecture of the time, including the pyramids and tombs and other public buildings. The paper looks at the social classes which existed in ancient Egypt, from the Pharoah down to the lowly farmers. The paper also discusses divorce, hygiene, entertainment, religion and the rights of women.
From the Paper "Cleanliness was very important to the Egyptians, and most people bathed every day, using a cleansing cream consisting of lime, oil, and perfume. Additionally, people rubbed themselves with perfumed oil daily, made by mixing flowers and scented oil with fat. People of all ages, children included, painted their faces. Green malachite was mixed with oil to make "Khol", and was used to accent the eyes, it was also believed to have magical powers. Red ochre was mixed with water and applied to the lips and cheeks, and henna was used to dye fingernails."
Abstract This paper explains that urbanization, the arrangement of the design of the private and public buildings of a city and that of the intra-city arteries of communication and fortifications, reflects the needs and aspirations of the community within the existing frame of the ecological and technological areas of the period. The author points out that during the last phase of the Assyrian empire, beginning with the reign of Ashur-Dan II (934-912 BC) and lasting until almost 600 BC, when the Assyrian empire dominated most of Mesopotamia and parts of Palestine, Egypt, Media and Anatolia, the Assyrian kings radically transformed the cultural, political and geographical landscape of Upper Mesopotamia by the implementation of the processes of urbanization. The paper stresses that the Chaldean tribal groups, a loosely connected with prominent chieftains opposing urbanization, shifted allegiance according to the distribution of military strength, refused to pay taxes or to render services to the government, waylaid caravans and to attack and plunder settlements and small cities.
Table of Contents
Introduction
Program of Urbanization
Administrative Restructuring
Capitals
Economic Foundation
Southern Societies
Uruk and Ur
Anti-Urban Bias
Citizenship
Conclusion
From the Paper "In these Mesopotamian cities, there grew a concept of citizenship that was the result of the driving force of the urbanization process. The old and important cities enjoyed certain privileges and exemptions with respect to the king and his power. They had a legal status that differentiated in essential points from that of any other community, In Babylonia, these cities were Nippur, Babylon, and Sippar, in Assria, the old capital Asur, and later, Harran in Upper Mesopotamia. In principle, the inhabitants of these free cities claimed freedom from work, freedom from military service, as well as a tax exemption. These privileges were neither new nor exception, Certain persons with restructed libery, in the Sumerian empire of Ur were said to be exempted from carrying earth, and inhabitants of Nippur were exempted from military service and paying tribute in silver and gold. This shows that the resistance against the claims of a central authority for services of its subjects is characteristics not only of a non urbanized group, but also one of the aspirations of city-dwellers."
Abstract The writer of this paper analyzes the ancient Egyptian view of death as a transitional stage in the process to a superior life in the next world where one reaches their full potential. This paper also details the tradition of preserving the body through mummification and the various rituals performed during the burial ceremony.
From the Paper "Three other aspects that are just as important are the physical body, the shadow, and the name. Egyptians believed that since the shadow was always present it could not exist without a person and neither could the person exist without it. It is usually shown as a small human figure painted entirely in black. The Egyptians also believed that the name, since it is given at birth could make a person live as long as the name is spoken. This is why such great efforts were made to protect one's name."
Abstract The recent discovery of the polychrome paintings of the Olmec civilization in the caves of Oxtotitlan has a number of scholars searching for answers. The paper shows that some of the paintings are quite substantial in size and unfortunately the presence of tourists and exposure to the elements are beginning to have a negative effect on the paintings. The paper shows that the use of the cave as a place to hold religious ceremonies may be causing the most damage to these paintings.
Abstract The paper describes and discusses a Greek krater. A krater is an ancient Greek vase or bowl. The paper looks at how kraters were originally used for mixing wine with water at banquets and describes its specific style. The paper introduces the geometric style Krater with an example in the Metropolitan Museum of Art in New York. It also analyzes how the geometric style evolved and the issues with dating these works.
From the Paper "A krater is a Greek vase or bowl. It has a wide mouth, handles on either side, and a foot on which it stands. These bowls were used to mix wine with water at banquets in ancient Greece. These vases are often adorned with scenes from Greek mythology or scenes of banquets like the one at which the krater would be used. Many of the kraters found in Greece reflect what is called the geometric style, an example of which is the Terracotta Krater, ca. 750-735 B.C., found today in the Metropolitan Museum of Art in New York. The geometric style this krater represents is an early form that evolved into more advanced forms of Greek vase painting, and dating such works can be an issue because the geometric style often persisted beyond its early date and so co-existed with more advanced styles."
Abstract This paper discusses the benefits of archaeology to the scientific and academic communities, as well as its ability to question previous historical paradigms related to the earliest dates of settlement in a given region, or the evolution and migration of early hominids. The paper gives some examples of famous archaeological finds, discussing in particular, the Kennewick Man and the effects that its discovery has had on our previous knowledge of history.
From the Paper "The Kennewick Man is one of the most notable finds in recent archaeological history. Discovered in Washington State by casual passers-by in 1996, the Kennewick Man's remains epitomize the controversy over NAGPRA. At first believed to be the remains of a Caucasian male who might have looked "like Patrick Stewart," the Kennewick Man called into question the theory that the first inhabitants of North America were Mongoloid peoples who traversed the Bering Strait (Miller 1997). Since then, the Kennewick Man has also become a political prisoner, in the middle of the battle between repatriation and scientific enquiry."
Abstract In this article, the writer notes that Joyce Tyldesley is a trained Egyptologist specializing in ancient Egyptian archeology. The writer then points out that she brings both her experience in the study of artifacts as well as her knowledge of ancient Egyptian history to her latest book entitled "Nefertiti". The writer relates that, although the book closes with a brief synopsis of the world's reaction to the discovery of the famous Nefertiti bust, most of the book is devoted to historical, rather than pictorial and archaeological analysis, in its documentation of the period. The writer maintains that the analysis of Egyptian images are used to elucidate the history within the covers of this small book, rather than for the sake of beauty alone, although the subject of the work is one of the most famous Egyptian beauties every preserved in artistic form.
From the Paper "Tyldesley frames her book on the Egyptian queen as an attempt to answer an unanswerable mystery. Tyldesley does not offer an answer to the disappearance of queen Nefertiti from history, rather she theorizes that because of the queen's erasure from the lists of Egyptian rulers, the queen has given rise to considerable, often unsubstantiated speculation as to Nefertiti's place in history. Tyldesley uses what historical evidence remains about the previous period of Egyptian monarchical history, along with the surviving icons of the reign of Nefertiti's husband to show how contradictory the evidence is about Nefertiti's identity."
