An analysis of women's subjective experience in modern East Asian literature, particularly in Japan.
Written in 2008; 1,051 words; 5 sources; MLA; $ 36.95
Paper Summary:
The paper discusses how, in Japan, women's literature since the late 19th century, has had particular forms expected whereby the woman who writes from her heart and reports details of life is seen as less significant than the woman whose work somehow complies with established traditions of form, subject and genre. The paper provides examples from East Asian literature to support its arguments.
From the Paper:
"It is as though women's subjectivity, in their authentic expression, must crack through barriers of slightly different kinds, as both societies need to take on a new understanding of how women fit into literature and ideas. In the meantime, a wise approach is one of reading Chinese or Japanese works by women as direct accounts, trying to put aside preceding forms, concentrating on what the writer is trying to convey, more than the nature of her environment or the social or political environment. One knows that the women, not the Chinese outlook or the Japanese society's sexism, will be seen as problematic, as is well understood by women writers in both countries. Whatever appears will be assessed in relation to how well it fits with a tradition to have gone before and with criticism likely of that which diverges. Many things have not been good about women's experience in modern China or Japan at different times or in particular situations. At the same time, many things have been appreciable, as needs to be kept in mind by non-East Asian readers who may be quick to criticize the societies described or the condition or women within them. It is tremendously important that women in both China and Japan be encouraged to express themselves, as individuals, so that women's literature in both countries can be seen for its different vantage points and ideas."
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