Compares styles, plot emphases, characterizations, atmosphere, design, the setting of the 1948 Laurence Olivier, the 1990 Franco Zeffirelli and the 1996 Kenneth Branagh versions.
Written in 1999; 2,700 words; 7 sources; $ 95.95
From the Paper:
"Film critics point out from time to time how much the director brings to a film and that if two directors were given the same script to shoot, the results would be very different. Filmmakers are almost never given the same script to shoot, but an exception can be found in plays based on Shakespeare where the same essential script is indeed used and where decisions regarding such elements as costume and set design along with visual style can produce works with very different attitudes based on the same initial material. This can be seen in three versions of Hamlet, the Laurence Olivier version from 1948, the Franco Zeffirelli version from 1990, and the Kenneth Branagh version from 1996. The films have very different "looks" as well as giving emphasis to different aspects of the plot, the characterizations, and other elements, and watching the three ..."
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