Paper Summary:

This paper discusses Thomas Kuhn's famous work, "The Structure of Scientific Revolutions," in an attempt to trace the connections between the theory of scientific paradigm creation and shift and the development of modern and postmodern thinking in the arts. This particularly refers to Kuhn's influence on post-structural philosophy and language theory. The paper traces some of these connections and indicates to what extent Kuhn's major work has been influential and connected to the modern artistic and linguistic movements. The paper contends that, in order to show the linkage clearly between Kuhn's theories and modern art, his work cannot be understood outside of the broader historical context in which it was written.

From the Paper:

"What Kuhn hypothesized in The Structure of Scientific Revolutions was that scientific thought and theory did not progress in a consecutive linear fashion. New concepts or theoretical paradigms came about in a non-sequential and sudden fashion and were not coterminous or even necessarily theoretically related to the previous scientific paradigm. The following is a very simplistic outline of his theory but it encompasses the central tenets and aspects that made his work so influential. Firstly, science had been based on presumptions of certainty and objective infallibility. The central concept that characterized classical science was that it was a normative and sequential progression of knowledge and understanding of reality."

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