An analysis of the lure of the occult in E.L. Doctrow's "Ragtime".
Written in 2005; 807 words; 1 sources; APA; $ 28.95
Paper Summary:
This paper examines how, throughout the novel, "Ragtime," several characters express interest in the occult, most notably, Harry Houdini and Pierpont Morgan, and how these two men from opposite ends of society both begin their search in response to the inadequacies of the material world.
From the Paper:
"Throughout the novel Ragtime, several characters express interest in the occult, most notably, Harry Houdini and Pierpont Morgan. These two men from opposite ends of society both begin their search in response to the inadequacies of the material world. Houdini becomes interested when he finds himself unable to accept his mother's death; without her, his world is empty. Pierpont Morgan's interest also blooms later in life. As he faces his own death, Morgan becomes dissatisfied with his enormous wealth, realizing that worldly affluence will mean nothing to him after his passing. In life, Morgan is a man of power, residing at the top of society, yet in the face of death, he is just as ignorant and helpless as anyone else. His search for occult wisdom relating to death and the afterlife is an attempt for him to feel once more in control."
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