An analysis of two plays - "Blood Knot" (Athol Fugard) and "Dream on Monkey Mountain" - and how mulattos are reflected in both.
Written in 2001; 2,262 words; 2 sources; MLA; $ 70.95
Paper Summary:
This paper uses Derek Walcott's "Dream on Monkey Mountain" and Athol Fugard's "Blood Knot" to discuss how the mulatto figures in post colonial discourse. It examines the tragic figure of the post colonial mulatto who is caught between black and white, without knowing which race he belongs to. The paper shows how both playwrights reflect their opinions and perspectives of mulattos in their plays.
From the Paper:
"In colonial discourse race is a mask for class, and class is a mask for being. Since the mulatto doesn?t know which race he belongs to, he cannot know his true being. For Walcott, in his Overture, the struggle of the mulatto is the "wrestling contradiction of being white in mind and black in body, as if the flesh were a coal from which the spirit like tormented smoke writhed to escape"(Walcott, 12). Walcott explores the problems of this opposing binary through his character of Corporal Lestrade, in Dream on Monkey Mountain. Athol Fugard takes this examination of the mulatto psyche even further through his character of Morris in Blood Knot."
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