The Gawain Romances

English > Analysis
Literature > English
Literature > European (other)
Literature > World

The Gawain Romances

A look at the characteristics and exploits that define the Gawain Romances and whether the main elements of the Gawain tradition have a common source.

2,395 words () | 13 sources | MLA | 2004 United States

Paper Summary:

In this paper the author describes the common elements in the many Gawain stories and how they may often be traced to the hero-god Cuchulainn's characteristics in the Irish story, Bricriu's Feast. The paper begins by outlining Gawain's literary origins and then discusses the important motifs of the Gawain stories: the Beheading Game and the Imperious Host of an otherworldly castle who imposes tests on his guests. Next the paper discusses sir Gawain's courtesy: the courtesy tests he undergoes at the castle of the Imperious Host, his consistent tact and courtesy, and how this is set in opposition to Sir Kay's surliness. This is followed by an examination of Malory's more convoluted representation of Gawain's personality in his "Morte D'Arthur" and an analysis of his relationships with maidens: his many lovers, his bachelorhood, and the theory that he may once have had a divine consort. The paper then examines his waxing and waning strength, which supports the idea that he, like Cuchulainn, may have once been associated with a solar deity. Finally, the paper concludes that the essential elements of Gawain's story seem to have a common Celtic origin that has several parallels to Bricriu's Feast.

From the Paper:

"The origin of sir Gawain is mythic rather than historical and the subject of much debate. Gawain cannot be traced to any character in history, but he does possess many qualities that associate him with Celtic myth, particularly the hero-god Cuchulainn. As paganism was subsumed by Christianity, the Gawain stories entered Christian chronicle and romance. The earliest reference to Gawain may be from William of Malmesbury in 1125 and Weston cites a Professor Zimmer who claims "that the heroes [of the Arthurian tales] were well known in Italy by 1010." Authors such as Hall point out the Welsh Gwalchmei as the earliest equivalent, but Loomis counters that by the second half of the eleventh century, when the Mabinogion was written, the Welsh were borrowing legends from Britain. "