An examination of the symbolism used in Isak Dinesen's "Out Of Africa" and Joseph Conrad's "Heart of Darkness".
Written in 2004; 1,682 words; 3 sources; MLA; $ 54.95
Paper Summary:
This paper discusses how symbolism is perhaps the defining element in modernist literature and, while the language is simple and the themes fairly complex, it is the use of intricate representations that keeps an artistic element functioning within each story. It looks at how, in two significant works composed during this time, Conrad's "Heart of Darkness" and Dinesen's "Out of Africa", Africa is used as more than a simple setting. It shows how, for Conrad, the country serves as a canvas for a variety of murky, ominous symbols that help convey his ultimate theme, and how, for Dinesen, Africa is an idyllic landscape ,the last place on this earth left unsullied by human hands.
From the Paper:
"As Dinesen's story manifests itself as a roman a clef rather than a work of pure fiction, the symbols used are naturally more contextual in nature than those of Conrad. Lulu, the first obvious symbolic element of Out of Africa, appears early in the story, emphasizing the existing lack of boundaries between man and nature. This tiny antelope lived in Dinesen's house fearlessly, even returning on occasion after she had found a mate and birthed a fawn (Dinesen, 78). Her continued presence after a point in which most animals would forever flee only reinforces the suggested bond between animal and human. Through Lulu, Dinesen demonstrates that it is possible for man to live in tandem with beast, neither species intruding upon the territory of the other."
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