This paper studies Dylan Thomas, the poet and the persona, and how he was greatly influenced by spirituality.
Written in 2001; 2,460 words; 6 sources; MLA; $ 74.95
Paper Summary:
This paper examines Dylan Thomas and his poetry by analyzing his work through spiritual glasses. It describes the influences of spirituality versus religion. It studies his work "18 Poems" which he wrote in 1934 and how it brought him immediate recognition. It excerpts his poems and analyzes them. It concludes that Dylan Thomas was a very spiritual person influenced mostly by Christian, Jewish and Catholic images.
From the Paper:
"Every poet is, in a sense, two people: the poet and the persona, or presence, that speaks through the poetry. With Dylan Thomas (1914-1953) both poet and persona tend to scintillate into the sublime and the ridiculous. With the aid of what Thomas called Comrade Bottle, they could unleash themselves into the depths of the subterranean and the grotesquely morbid. Some of Thomas? early verses were unintelligible, so in love with words was he; and critics have often disagreed on valid interpretations of Thomas? work (Ferris, 2000, p.95). As well, the disagreements carry over to valid interpretations of the poet's life. How much of his drunken, often tactless prattle was for the sake of the song, and how much was the poet's gift"and torture"of seeing so much and feeling so deeply that it was all he could do to fend off madness? In a 1933 South Wales Evening Post essay, he wrote: "the borderline of insanity is more difficult to trace than the majority of people, comparatively safe within the barriers of their own common-sensibility, can realise" (Bedford-St. Martin?s, N.D. 2). "
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