This paper analyzes the thematic connection between Sonnets 57 and 58.
Written in 2002; 2,500 words; 5 sources; MLA; $ 75.95
Paper Summary:
This paper discusses that the similarity between Shakespeare's Sonnets 57 and 58 is significant enough that one might wonder on first reading if one does not render the other redundant, but close reading of the poems shows that they not only function as a pair but also the order in which they occur in the Quarto of 1609 is essential to their meaning. The paper explains that the Sonnet sequences do "allow for the construction both of a narrative and of an inward-looking 'I' figure", but it is not at all possible to read the sequence as one might read a novel or narrative poem. The author believes that there is a strong hint of the speaker's agonizing discomfort with the young man's heterosexual involvements buried in Sonnet 58's puns that is a harbinger of the agony to come. Annotated Bibliography.
From the Paper:
"The sense of the poem resides, however, in the anaphoric use of negatives which can be read, at least initially, as a simple litany of the prerogatives that a slave surrenders. As the negatives mount in intensity, the description of what the speaker gives up expands. In the first quatrain, the statement of self-abnegation is plainest, and there is a hint of some sort of reciprocity in the commercial terminology of "precious" "spend" and "services," an indication that the speaker may be or should be compensated for what he gives up. This vanishes in the second quatrain as the metaphor of "sovereign" is joined to that of "slave" and the feelings of the speaker begin to surface. In the third quatrain he identifies the key to his concern, which is his "jealous thought," and the consequence of this feeling, which is the "sad" state in which he "think[s] of nought" but the young man."
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