Scripting of Gender: "The Color Purple"

Paper Summary:

This paper examines Alice Walker's "The Color Purple", a confessional and uninhibited look at the life of Celie, a poor, black woman in the Deep South. It discusses how Celie's life is a complicated story of both community and individuality and how as a woman, she is surrounded by societal expectations and traditional gender scriptings. It shows how the story is a contrast between the traditional gender roles and while some characters embody certain behaviors and attitudes indicative of their sex, others denounce the long-holding patriarchy defining sexism and gender interactions. It evaluates how, in developing each of her characters throughout the novel, Walker overtly specifies how each does not meet the conventional mold.

From the Paper:

"As the bonds between Celie and Sofia grow following their original clash, Walker introduces another female character. This time, the semi-famous former lover of Mr.____ comes to stay at their household while she recuperates from a grave illness. At first, Shug Avery is hateful towards Celie. She mocks her good intentions, orders her around, and calls her ugly. Yet Celie feels nothing but awestruck towards this woman. Celie also begins to have conflicting erotic feelings for Shug; feelings she does not understand when seeing Shug naked and giving her a bath. The course of this relationship drives towards lesbianism. "

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