This paper discusses the role of Robert Greene's "Pandosto" in the development of prose fiction.
Written in 2002; 2,755 words; 11 sources; MLA; $ 82.95
Paper Summary:
This paper discusses that Greene's "Pandosto", which was popular during its time for its adherence to Elizabethan conventions from reliance on classical elements to euphuism, challenged the categorical limits of prose fiction by pushing toward a recognizable novel genre. The author feels that it is not itself a work of such innovation that it merits the title of the first English novel. This author, nevertheless, considers "Pandosto" to be a transitional work in the history of prose development because it made and then broke its own laws by encompassing traditional forms in nontraditional combinations.
From the Paper:
"Greene called "Pandosto" a love pamphlet, a categorization which suggests a discursive, even polemical, purpose for his romance, as well as a connection with the euphuistic style of Lyly, which we will examine later. Because the work reflects Greene's dissatisfaction with the romance form and thereby elude classification as a pure romance, Pandosto "may best be described as a romance anatomy" using Northrop Frye's designations. ... a romance is, in short, "the mythos of literature concerned primarily with an idealized world", while an anatomy is "a form of prose fiction . . . characterized by a great variety of subject matter and a strong interest in ideas". We can see the binary category of romance anatomy most clearly when we note Greene's coupling of such romantic characteristics as a happy ever after ending (true for everyone except Pandosto, that is) with the following issues in Pandosto, issues which allow Greene the opportunity for the depth of discussion that is so common in the anatomy: Pastoral contentment, conflict between male and female attitudes, the power of emotion over humans, forgiveness, repentance, and Fortune."
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