"Ragtime" by E.L. Doctorow presents a cast of characters caught up in a frenzied life of liberating themselves from oppression ranging from poverty to the discontent of the soul. By exploring the recurring themes of liberation and oppression in the novel, the paper shows that in fact, the liberation from one state of being only leads to another prison; true liberation seems to beckon as a chimera. Ultimately, what Doctorow depicts powerfully is that oppression affects all humanity, whether he or she is poor or rich, black or white.
From the Paper:
"The most dramatic example of oppression is illustrated in the episodes involving the racial oppression of Coalhouse Walker. He represented the fundamental injustices committed against African-Americans in the story. Although he was rich, educated and well-cultivated, the color of his skin did not free him for being harassed by Conklin, the Fire Chief (Doctorow 131-133; 145-150). From a superficial perspective, Walker's reaction over his car seemed unduly exaggerated. However, the unnecessary tampering with his car symbolized the unjust oppression of African-Americans. In a reversal of positions, Walker and his followers played the role of oppressors by terrorizing the city with bombing attacks (Doctorow 186-187). It is a tragedy that his "liberation" from being an oppressed person could only take place in such spectacular circumstances, that inevitably resulted in his own death."
""Ragtime"" 15 January 2012. Web. 10 Feb. 2012. <http://www.academon.com/Analytical-Essay-Ragtime/26048>
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