Examines the theme of miscegenation in texts by three American playwrights, William W. Brown, Adrienne Kennedy and Eugene O'Neill.
Written in 2002; 2,650 words; 4 sources; $ 97.95
Paper Summary:
This paper compares three plays, William W. Brown's "Leap for Freedom", Eugene O'Neill's "All God's Chillun Got Wings" and Adrienne Kennedy's "Funnyhouse of a Negro". All these plays deal with miscegenation in some way. The conclusion draws on the postmodern difference theories of Jacques Derrida to illustrate why miscegenation is such a large issue, as well as one difficult to portray in a theatrical medium.
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