Michelangelo's "David"

Paper Summary:

This paper explains that Michelangelo's sculpture of David is an excellent example of how an artist can combine the principles of design to create a masterpiece: balance, unity, movement, pattern, emphasis, rhythm, and contrast. The author points out that the visual equilibrium of the sculpture, or its balance, is asymmetrical; the statue is shaped with an "S" curve, which combines the elements of balance and grace. The paper relates that the element of pattern in David reveals Michelangelo's genius of human anatomy, for example, the veins in David's right hand.

From the Paper:

"Michelangelo also displays an excellent use of contrast in David. David's hair is wavy and his skin is smooth. Contrast can also be seen in the wrinkles on David's face, the veins in his hands, and in the texture of his slingshot. The form of the statue also plays with shadows and light, which gives it a realistic feel. In terms of contrast, Michelangelo's David is true to human form. In addition, Michelangelo was careful not to add too much contrast to David. This could explain why David is not wearing any clothing or shoes. Too much contrast would certainly diminish the physical beauty of man that Michelangelo wished to emphasize. From this viewpoint, it is easy to understand why Michelangelo utilized a very limited amount of contrast in his sculpture."

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