Magic in Gothic Literature

Paper Summary:

The Gothic literature genre began with the publication of Horace Walpole's novel entitled, "The Castle of Otranto" in 1765. The paper discusses how elements of magic and terror are interspersed throughout the novel. It shows how this work is similar to that of Matthew Lewis' "The Monk" (1796). The paper analyzes how magic is utilized in both novels in developing the characters of the protagonist as they descend and succumb to their worldly needs and desires. Magic is discussed as a force that led to Manfred and Ambrosio's downfall in "The Castle of Otranto" and "The Monk," respectively. Passages from both novels are included in the paper.

From the Paper:

"While magic is used as a useful force in "The Castle of Otranto," magic is used as a force of evil in "The Monk." Magic and its use in the novel become apparent in the last chapter of the novel, wherein Ambrosio and Matilda are being persecuted by their society and the Church because of the sinful acts they have committed. Ambrosio, as the main character in the story, is portrayed initially as a "saintly" monk, and Lewis illustrates him as a man who "has never been known to transgress a single rule of his order; The smallest stain is not to be discovered upon his character; and He is reported to be so strict an observer of Chastity, that He knows not in what consists the difference of Man and Woman. The common People therefore esteem him to be a Saint." This passage is an important revelation to the readers, since in the latter part of the novel, the readers will become acquainted with the sudden changes in Ambrosio's character as he becomes immersed in his sinfulness and worldly needs and desires."

More papers on Magic in Gothic Literature:

• Analytical Essay # 46072 : "Gothic Literature"
• Analytical Essay # 3933 : "An Examination of Emily Bronte's, "Wuthering Heights"
• Book Review # 47421 : "The Castle of Otranto"

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