Examines the unique story-telling approaches of Toni Morrison "Beloved", Rigoberta Menchu "I, Rigoberta Menchu", Omar Cabezas "Fire From the Mountain" and an Aztec collection "The Broken Spears".
Written in 1995; 2,475 words; 5 sources; $ 87.95
From the Paper:
"For members of marginalized groups, limited access to education and literature compel them to forge fresh relationships to language. Writers from these groups base their work on modes of speech, on communal traditions of oral communication, and, sometimes, on the reimagining of European art forms. But, when they employ the standard framework of novel, chronicle, or autobiography, the standard is transformed. As a group, they (and others like them) are creating a genre, the novela-testimonio, in which the disenfranchised seize the weapons used to oppress them, and turn them on their rulers. That is the case for the following four narratives, which take very different forms: Toni Morrison's Beloved is a novel; Rigoberta Menchu's life story. I, Rigoberta Menchu, was compiled from a series of interviews; Omar Cabezas wrote his autobiography in Fire from the ..."
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