Leslie Silko's "Ceremony"

Paper Summary:

This paper discusses several of the themes presented in Leslie Silk's novel, "Ceremony." This paper looks at the main character, Tayo's journey to self-acceptance of his roots through a journey he takes through the world of the white man and its many vices. The paper uses different examples from the story that follow the journey through to its conclusion. These include Tayo's contact with the white doctor, his feelings of invisibility and his search for spirituality. The paper continues this theme through Tayo's use of alcohol and how it serves as a symbol for both his thirst of learning about his culture and his continued abuse by the white man. It is through this journey that Tayo eventually returns to the medicine man and eventually inner peace and acceptance.

From the Paper:

"Tayo insists that he is invisible in the onset of the novel. He cannot speak because an invisible man has no tongue. The white doctor forces Tayo to feel. The doctor's voice lures Tao into the doctor's sense of reality. Tayo feels that he is part of the fog and "like brittle red clay, slipping away with the wind, a little more each day" (Silko, 27). Consequently, Tayo felt hallow internally. He didn't fit in mentally and wished to ease his internal pain by physically escaping into nothingness. Tao's desire for non-existence is symbolic in the novel's theme of self-discovery."

More papers on Leslie Silko's "Ceremony":

• Analytical Essay # 64222 : "Ceremony"
• Term Paper # 121196 : "Black Arts Movement"
• Book Review # 73859 : "Myth in "Ceremony"

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