An examination of the concept of Negritude through exoticism and racial conflicts, as portrayed in the poems of Langston Hughes.
Written in 2008; 2,418 words; 10 sources; MLA; $ 73.95
Paper Summary:
This paper discusses the writings of African-American poet, Langston Hughes. It specifically focuses on how he stressed in his works for the Negro to maintain their sense of African identity. The paper describes the concept of Negritude and discusses how Hughes makes sure Negritude is embedded in his poetry mainly through his portrayal of the positive exoticism versus racial conflicts in the United States of America.
From the Paper:
"In the late 1950s into the early 1960s, Langston Hughes' poetry begins to discuss the prominence of drugs in the United States. Because they are a growing problem in the nation and Harlem in particular, Hughes seems to have felt the need to express his sorrow through his verse. However, unlike Hughes' Montage, his last decade or so of poetry resonates with the exotic and racial issues. But, instead of directly discussing these things as he has done in previous poems, Hughes connects them with the use of illegal substances in a sense which hints at his severe depression on the matter. Poems such as "Lumumba's Grave" (1961), "Go Slow" (1963), "We, Too" (1963), "Junior Addict" (1963), "Northern Liberal" (1963), and "Slum Dreams" (1964) are suggestive to the drug problem going on. In these poems, Hughes seems to remark that it is in portion due to the oppression of these people that has led them to this point in their lives. He attempts to allude to Africa in them seemingly in hopes of remembering a past pride, a pride that he feels they are letting go to waste."
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