Discusses John Ford from the perspective of auteur theory. Focuses on how Ford worked with a regular coterie of writers and analyzes the films "Stagecoach", "Searchers", "She Wore a Yellow Ribbon", Fort "Apache", "The Quiet Man" and others.
Written in 1990; 2,250 words; 3 sources; $ 79.95
From the Paper:
"The auteur theory developed by French film critics beginning in the 1950s is partly a convenient way of categorizing and analyzing films, collecting titles as the body of work of the director. More than this, though, the theory holds that it is the director more than anyone else who is responsible for the completed film, since he or she is the one who determines visual style and other matters in the course of production. The theory finds that the director expresses meaning through visual style and that analyzing the visual style of a given director reveals consistent thematic concerns, similarities in character development, and other repeated and recognizable signs of a single intelligence at work. At the same time, though, film remains a collaborative medium, and it would seem that directors would be influenced by their..."
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