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James Joyce and the Ambiguity of Meaning

# 113297
An analysis of James Joyce's search for an alternate source of meaning in his works "The Boarding House" and "Portrait of the Artist as a Young Man."
2,376 words (approx. 9.5 pages) | 4 sources | MLA | 2008 | United States
Published on: Mar 27, 2009

Paper Summary:

This paper uses examples from James Joyce's "The Boarding House" and "Portrait of the Artist as a Young Man" to argue that the poet rejected the idea of meaning produced by structures and instead pointed the way towards an infinite number of interpretations rooted in subjectivity. The writer explains the focus on meaning through empiricism that was prevalent in Joyce's time, and how Joyce, on the other hand, through his writing establishes that while the self indeed only marks the intersection of various social tensions, it exists as the ultimate and mutable source of meaning. The paper concludes that if Joyce is correct and there is no truth but the subjective, then the self is the ultimate guarantor of meaning and art the tool by which it is uncovered.

From the Paper:

"Meaning and a sense of self are central to the human existence in order to place the self in context with the environment. According to Ferdinand de Saussure, we are trapped through language as integral parts of our environment or social system, within which we contextualize our selves. It follows that the structure of language produces reality, and timeless cultural structures create the individual, illusory sense of self; a self that remains stagnant because it cannot escape its place within its environment. Both the self and the possibility of change are therefore illusions, because meaning only stems from structures. This is the very idea at the heart of structuralism and similarly modernism which dominated Western thought during Joyce's time."

Sample of Sources Used:

  • Derrida, Jaques. "Of Grammatology." The Norton Anthology of Theory and Criticism. Ed. Leitch, Vincent B. New York: W.W. Norton & Company, 2001.
  • De Saussure, Ferdinand. "Course in General Linguistics." The Norton Anthology of Theory and Criticism. Ed. Leitch, Vincent B. New York: W.W. Norton & Company, 2001.
  • Joyce, James. "Portrait of the Artist as a Young Man." The Portable James Joyce. Ed. Levin, Harry. New York: Penguin Group (USA) Inc., 1967.
  • Joyce, James. "The Boarding House." The Portable James Joyce. Ed. Levin, Harry. New York: Penguin Group (USA) Inc., 1967.

Cite this paper

APA Citation:

James Joyce and the Ambiguity of Meaning (2012, April 01). Retrieved May 22, 2012, from http://www.academon.com/Analytical-Essay-James-Joyce-and-the-Ambiguity-of-Meaning/113297

MLA Citation:

"James Joyce and the Ambiguity of Meaning" 01 April 2012. Web. 22 May. 2012. <http://www.academon.com/Analytical-Essay-James-Joyce-and-the-Ambiguity-of-Meaning/113297>




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Aya US
Publisher Since:
Dec 12, 2007
I am a German born student at GWU, member of two academic honors societies and dean's list student. I major in English and minor in French and Journalism. As you may have rightly inferred, writing is a passion onf mine and I take pride in my work.
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