This paper discusses James Joyce's short story, "The Dead", especially the way the tale circumvents some of the most cherished concepts of "good writing", even according to modern literary standards.
This paper concludes that "The Dead" was radical in the eyes of readers of the early 20th century by its flouting of conventional expectations of plot and character development, which are striking in comparison to Victorian novels. The author points out that "The Dead" follows the Aristotelian conventions of drama; it takes place "in time" over the course of an evening's celebration. The paper concludes that the story of "The Dead" is much like life: Action is often limited and repetitive, and characters frequently speak in dialogue, but do not communicate.
From the Paper:
"As the party goes on, the reader is introduced to more characters attending the annual dance of the two maiden aunts, Kate and Julia Morkan. The aunts are in great anticipation of Gabriel, their nephew, who finally comes late. Even Gabriel's entry, in a subtle way, indicates his carelessness to the feelings of others, especially women. Not only is he late but also he insults, without meaning to, poor Lilly."
"James Joyce's "The Dead"" 09 February 2012. Web. 13 Feb. 2012. <http://www.academon.com/Analytical-Essay-James-Joyce's-The-Dead/48779>
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